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Ian Chen. This absolutely is an
Aladdin remake from China, but the dragon still is adorable and there s always some good lessons to learn from telling this story anyway.
Here s the full US trailer (+ new poster) for Chris Appelhans s
Wish Dragon, from Netflix s YouTube:
You can watch the other teaser trailer (+ international trailers) for
Wish Dragonhere, to see a bit more.
In Sony Pictures Animation’s Wish Dragon, Din (Jimmy Wong), a working-class college student with big dreams but small means, and Long (John Cho), a cynical but all-powerful dragon capable of granting wishes, set off on a hilarious adventure in modern day Shanghai in pursuit of Din s long-lost childhood friend, Lina. Their journey forces them to answer some of life s biggest questions – because when you can wish for anything, you have to decide what really matters.
The arrival of
The Mitchells vs. the Machines on Netflix feels like the detonation of a confetti bomb it’s a colorful, inventive, and all-around delightful movie. In fact, as my colleague Sam Adams wrote for Slate, it’s the first great animated movie of 2021. Directed by Mike Rianda and co-directed by Jeff Rowe, the movie stars Abbi Jacobson as Katie, a girl about to head to college, and Danny McBride, Maya Rudolph, and Rianda respectively as her father, mother, and younger brother Aaron, all of whom join her on a road trip in an attempt at a last hurrah before she flies the coop. That trip hits a bit of a road bump, however, when a robot uprising threatens the entire human race.
Has Hollywood developed an allergy to originality? A good question! This was made in 2012, and it first premiered in 2014, but it s still as relevant as
While Pixar’s groundbreaking Toy Story often achieves plaudits for the shot in the arm it gave Hollywood animation in the mid-1990s, it’s impossible to ignore the influence of DreamWorks’ 2001 computer-animated hit Shrek. The grubbier and more sarcastic sibling to Woody and Buzz, Shrek was a milestone for American cartoons that paved the way for a unique brand of animated anarchy and sardonic irreverence that still holds sway across the industry today.
Back in 2001, animation’s digital revolution was slowly but surely gaining momentum. In the US alone, the first Toy Story in 1995 was followed by Pixar’s insect-themed epic A Bug’s Life three years later, and then a second outing for Woody and the gang in Toy Story 2 in 1999. There was also a handful of other features, from Final Fantasy: The Spirits Within (2001) to Jimmy Neutron: Boy Genius (2001), which further tested the possibilities of computer-generated (CG) characters to varying degrees of success. And then came Sh