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The Artist Who Transforms Galleries Into Forests and Fields

The Artist Who Transforms Galleries Into Forests and Fields https://www.nytimes.com/2021/05/03/t-magazine/precious-okoyomon-artist-shed.html The Artist Who Transforms Galleries Into Forests and Fields Precious Okoyomon’s vast installations, which often incorporate plants as well as poetry and sculpture, celebrate the chaos of nature, and warn against its destruction. The artist Precious Okoyomon in their Brooklyn studio.Credit.Emiliano Granado By Coco Romack Published May 3, 2021Updated May 5, 2021 “It was the freshest breath of air I’d taken all year, in that closed room with all the snails,” says the artist Precious Okoyomon, recalling the setting of their recent exhibition “Earthseed,” at Frankfurt’s Museum für Moderne Kunst’s Zollamt gallery. The entire floor of the former customs office was covered with several feet of topsoil and in it Okoyomon, 27, had planted a dense green blanket of young kudzu plants, the cultivation of which is illegal in much of th

Travis Pastrana Wins Even When He Loses

Travis Pastrana Wins Even When He Loses Emiliano Granado Travis Pastrana says he’s sorry. And I’m not even staring up from the fetal position when he says it, the typical perspective of amusement riders at Pastranaland, the action-sports mecca in suburban Maryland. The X Games, motocross, and stunt-driving legend has already apologized for talking too much. During an interview. He notices my Team O’Neil Rally School hat, asks whether I liked O’Neil or Dirtfish school better, and apologizes again, worried he interrupted my question. I’d heard Pastrana is unfailingly polite, but this is crazy. He’s so upbeat and inspiring, he could talk Mr. Rogers out of his sweater and into a backflip: Dude, you can do it!

Roni Horn Shares a Timely Record of Solitude

Roni Horn Shares a Timely Record of Solitude https://www.nytimes.com/2021/02/19/t-magazine/roni-horn-art.html Roni Horn Shares a Timely Record of Solitude The artist’s latest work, for which she made an image nearly every day for almost 14 months, unexpectedly became a document of life at the start of a pandemic. The artist Roni Horn photographed at her studio in New York City. Credit.Emiliano Granado By Adriane Quinlan Feb. 19, 2021 The artist Roni Horn has always been preoccupied with time: its effect on how we see a work of art, and how we see each other. Beginning in the 1980s, she has positioned pairs of identical sculptures at different locations in a gallery for her series “Pair Objects” (1980-present), which calls attention to the impossibility of experiencing the same thing twice. Photographs

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