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iPolitics By Janet E Silver. Published on May 17, 2021 11:20am West Block on Parliament Hill on May 12, 2021 (Jolson Lim/iPolitics)
Fernando Minna, who served as policy adviser to Conservative MP Phil Coleman for over four years before signing on with the Capital Hill Group last month, has had a busy week.
Minna registered for several California-based tech companies, as well as CyberNB Association Inc., which put him at the top of the list for most new registrations this past week.
According to the filings, he’ll be working with the California-based tech company,
Adobe to try and increase awareness within government for possible future procurement opportunities.
iPolitics By Janet E Silver. Published on May 17, 2021 11:20am West Block on Parliament Hill on May 12, 2021 (Jolson Lim/iPolitics)
Fernando Minna, who served as policy adviser to Conservative MP Phil Coleman for over four years before signing on with the Capital Hill Group last month, has had a busy week.
Minna registered for several California-based tech companies, as well as CyberNB Association Inc., which put him at the top of the list for most new registrations this past week.
According to the filings, he’ll be working with the California-based tech company,
Adobe to try and increase awareness within government for possible future procurement opportunities.
It’s important to note that the “generals” this time around especially Heritage Minister Steven Guilbeault understand that what’s at stake this time is clearly unlike any threat that news media, and the millions of Canadians who rely on it, have ever faced before. In his public pronouncements, he has indicated that you can’t call in the cavalry to fight a high-tech war, especially when the other side has nukes. But not everyone sees it that way. Some are tempted to look at a new problem through an old lens. Over the last half century in particular, successive Canadian governments have effectively responded to threats to the Canadian cultural sector including to news media with innovative and comprehensive policies of special funds and Canadian content and production requirements. Purists have sometimes chafed at these policies, but they’ve been instrumental in nurturing and sustaining a vibrant cultural sector in the face of constant bombardment from the worl