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Arrow Far from coming across as a power clash, Marcel Breuer’s building feels poised to provide a palate cleanser over these next two years, the allotted span of time that the Frick is set to stay. Yes, the loss of a domestic setting is notable, but it is after all only a temporary one. And with the removal of heavy carpets and carved stonework comes an unabashed focus on art.  The opportunity for a rehang has also served the artworks within the Frick’s collection well. One prime example is a room now dedicated to the institution’s three Vermeers. The trio of works make up a notable percentage of the only 34 known paintings that are officially attributed to the Dutch artist, as curator Aimee Ng noted in a recent Zoom tour. Over on 70th Street, where the works were hung in different rooms, it was not possible to view all three paintings together, and certainly not without a fair amount of additional visual distraction. The opportunity to drink them in now is just one of many

New yorkUnited statesFrick annabelle selldorfrenovationFrick madisonMarcel breuerWhitney museum of artGilded ageAnnabelle selldorfrenovationUpper eastWhitney museumMet breuerCulture lifestyleArt auctionsபுதியது யார்க்ஒன்றுபட்டது மாநிலங்களில்ஃப்ரிக் மாடிசன்