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Projet Pegasus : Macron, Philippe, Plenel Ces personnalités potentiellement espionnées
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Face à la concurrence, la France multiplie les actions en direction de l Afrique
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A new bill on the regulation and protection of access to cultural works in the digital age was presented to France’s Council of Ministers yesterday (8 April).
This text aims to “continue to adapt our law to new uses and (to) protect artists and creators against 21st-century counterfeiting facilitated by streaming, direct downloading or referencing sites”, declared Gabriel Attal, the government spokesman, at the end of the meeting.
A new super-regulator, the Autorité de régulation de la communication audiovisuelle et numérique (ARCOM) is to be created from the merger of the Haute Autorité pour la diffusion des œuvres et la protection des droits sur Internet (HADOPI) and the Conseil supérieur de l’audiovisuel (CSA) in order to “step up the fight against pirate sites and to include this action in a broader policy of regulating online content”, according to the Ministry of Culture website.
Saudi-owned $450m artwork not exhibited at Louvre over doubts about its authenticity, new documentary alleges
People take pictures of a copy of Leonardo Da Vinci s Salvator Mundi, the world s most expensive painting (AFP) By Published date: 8 April 2021 13:27 UTC | Last update: 3 sec ago
The world’s most expensive painting, which is Saudi-owned, was not exhibited at the Louvre two years ago because the French government would not bow to pressure from Riyadh to present the contentious artwork as “100 percent Leonardo da Vinci”, a new documentary has alleged.
The
Salvator Mundi was purchased in New York in November 2017 for $450m by a little-known Saudi prince, who was reportedly acting as a proxy to Crown Prince Mohammed bin Salman.