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Guillermo Acuña raises Punta Chilen on forest of red-painted pine stilts
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Guillermo Acuña raises seaside annexe on forest of red-painted pine stilts
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Architect builds his own blackened pine-clad house in Chile
Architects Pablo Saric and Cristian Winckler
designed Casa SS in Canela, Chile, as a single-storey dwelling clad in charred pine just steps away from a dramatic coastline.
Located in the town of Huentelauquén, Casa SS perches on a patch of desert just 85 metres from where the rocky land meets the South Pacific Ocean. The house is occupied by Saric himself and his young family.
Casa SS is just 85 metres from the ocean
Saric and Winckler
arranged the house as a single line of rooms facing the ocean, with bedrooms at either end sandwiching the central living area.
© Cristobal Palma / Estudio Palma
The structure of the house is composed of metal columns and beams. These columns respond to a grid that dictates the modulation of the glass enclosure, creating symmetry between the façade and the interior of the house. On the other hand, the metal beams highlight the slabs on the façade and become the main protagonists on the formal expression of the house.
© Cristobal Palma / Estudio Palma
The roof of this 350m2 house is composed of a combination of a canal beam and calamine. The top floor is a combination of reinforced concrete slabs and beams and count with a 5cm concrete molding that creates the concrete ceiling on the exterior of the house.
Jean Nouvel, the 2008 Pritzker Prize winner, has his project The Artists’ Garden under construction in Qingdao, China. The architect aims to create a poetic space for artists and those who are passionate about art, a place where emotional responses to seeing the sea can be shared, a great central garden, with fishermen and their boats, a small creek, parasols, and a rectangular harbour. The museum needs to be flexible, but it should also remain a museum. Jean Nouvel proposes to link up several large rooms, extremely well-identified in the world of museography. He also suggests an ‘outside-inside’ promenade that will travel through the museum’s main rooms along the water’s edge and among the trees, with carefully chosen and controlled views over the sea and deep into the undergrowth. He proposes a clearly identifiable line that will align several buildings of contrasting characters.
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