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The Menil Collection opens Enchanted: Visual Histories of the Central Andes

The Menil Collection opens Enchanted: Visual Histories of the Central Andes Fragment of Textile Depicting Captives (known as the Chimú Prisoner Textile), ca. 1200–1290. Chimú. Late Intermediate Period, Peru, Huarmey. Cotton with natural red, ocher, green, and blue dyes, 73 7/8 × 125 7/8 in. (187.7 × 319.8 cm). The Menil Collection, Houston. Photo: Paul Hester. HOUSTON, TX .- Running along the western side of South America, the Andean Mountains have supported a rich, interconnected series of civilizations and empires for more than 3,000 years. Surveying this captivating, multifaceted world, the Menil Collection presents Enchanted: Visual Histories of the Central Andes from July 30 through November 14, 2021. The exhibition showcases works from the museum’s collection and loans from the Museum of International Folk Art in Santa Fe, NM.

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   “Ragnar Kjartansson: Romantic Songs of the Patriarchy,” with performers Diana Gameros, left, and Kendra McKinley at the Guggenheim Museum iin New York. A video installation by Wu Tsang with Beverly Glenn-Copeland is part of a series of shows with a shared political charge, a taste of what can be. Solomon R. Guggenheim Museum; David Heald via The New York Times. by Holland Cotter (NYT NEWS SERVICE) .- When the lockdown lifted this past spring, some of our big New York City museums were able to slide major waiting-in-the-wings exhibitions into place. The Guggenheim wasn’t so lucky. A traveling Joan Mitchell retrospective slated to fill its rotunda had been canceled. The museum might have whipped up a crowd-pleasing show of modernist chestnuts from the collection. Instead, it did something more interesting. It turned itself into an old-style alternative space. It already had some small side-gallery shows in place or on track, including a se

Exhibition features work by contemporary Black artists who engage both historical events and current discourse

Exhibition features work by contemporary Black artists who engage both historical events and current discourse Land’s End (detail), 2020. Kambui Olujimi (American, b. 1976). Ink and graphite on paper; 79 x 79 in. Collection of the artist. Image © the artist. CLEVELAND, OH .- New Histories, New Futures centers on three contemporary Black artists’ engagement with time and historical revisionism. Johnny Coleman (b. 1958, based in Oberlin, OH) uses sculpture, sound and projection in a large-scale immersive installation that revitalizes the marginalized history of one group’s journey north on the Underground Railroad. Antwoine Washington (b. 1980, based in Cleveland, OH) paints portraits of his own young family to counteract the stereotype of the absent Black father in a style that pays homage to artists of the Harlem Renaissance. The North Star project by Kambui Olujimi (b. 1976, based in Queens, NY) features eight never-before-seen paintings of weightless, floating Black bodies

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