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February 22, 2021
The documentary makes the case the hardcore punk belongs alongside Detroitâs better-known musical exports. // Film poster courtesy of Otto Buj
Otto Bujâs documentary
Dope, Hookers and Pavement: The Real and Imagined History of Detroit Hardcore starts with a series of interviews that all but say the music wasnât that important. It may seem odd to undercut a core element of the scene youâre documenting â in this case, the speedy, harsh style of punk known as hardcore â but director Buj has a reasonable explanation.
âTo me, the relevance of the story is less about the music and more about how these kids pulled together from all over southeast Michigan and Windsor to build their scene/community and an environment to create their music when one didnât exist for them,â Buj says. âAs Ian MacKaye [of Washington, D.C.âs Minor Threat and later Fugazi] says at the conclusion of the film, the âmusic was just a cur