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Matt Damon s 15 Best Movie Roles, Ranked
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Posted February 13, 2021 | By Matt Sulem
Fancy lobster dinners, roses and heart-shaped boxes of chocolates are all nice gifts, but one of the best ways to spend Valentine’s Day is curling up with the one you love to watch a romantic movie. Of course, not everyone enjoys sappy stories, so keep things light and fun by opting for a romantic comedy instead. This genre of film might get dismissed as being saturated with nothing but so-called “chick flicks,” but there are also plenty of quality films aimed at both chicks and dudes alike. From black and white classics to recent releases, here are the 25 best rom-coms to watch this Valentine’s Day.
Massoud Bakhshi’s Yalda, a Night for Forgiveness, which screened at IFFI, is an eye for an eye drama set in a TV studio Yalda, a Night for Forgiveness was screened at the International Film Festival of India. Baradwaj Rangan January 23, 2021 17:51:43 IST Still from Yalda, A Night For Forgiveness. Facebook
The International Film Festival of India went virtual this year. One of the films I watched is Massoud Bakhshi’s
Yalda, a Night for Forgiveness (2019). It’s a tale of conflict, and the conflict arises from the very title.
The first word refers to the winter solstice festival in Iran. It is a celebration, a day of joy. The last word of the title, however, refers to the fate of Maryam (Sadaf Asgari), a young woman who killed her much-older husband. She says it was an accident. But she fled the scene, so the evidence stacked up heavily against he
Screenplay News and Reviews
This has been a trying year for movies, with the closing of cinemas in the pandemic, and a pivot by many filmmakers and stars to streaming service projects. As we wait for the boom times to return once a Covid vaccine establish herd immunity and movie theaters fill again, it seemed worthwhile to reflect on what a great first quarter the 21st century has been for movies. Deadline’s Pete Hammond, Todd McCarthy, Joe Utichi and Mike Fleming Jr accepted the challenge to choose the most influential so far.
This is an impossible task. We’ve limited ourselves to live-action films and leaned into pictures that allowed for discussion of the output of directors. So, while 2007’s
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