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Queens Museum Executive Director Sally Tallant on Her Vision for a More Just Art World

Queens Museum Executive Director Sally Tallant on Her Vision for a More Just Art World
artnet.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artnet.com Daily Mail and Mail on Sunday newspapers.

Meena Kandasamy reviews Ranjit Hoskote s Hunchprose

Updated: June 26, 2021 18:41 IST This dazzling collection is poetry of the highest order, poetry as an affirmation of life as well as a silent grieving for the end of times Share Article AAA This dazzling collection is poetry of the highest order, poetry as an affirmation of life as well as a silent grieving for the end of times What is poetry’s place while a deadly pandemic rages on: do we read it as a prayer or a lament? As our isolation aggravates our sense of alienation, do we default to poetry? If not, where do we turn to collectively grieve? Days before the second wave hit, I got a copy of

Hackney gallery to release book of poems celebrating the borough s multicultural communities

Hackney gallery to release book of poems celebrating the borough s multicultural communities
eastlondonlines.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from eastlondonlines.co.uk Daily Mail and Mail on Sunday newspapers.

National Gallery of Art acquires iconic photograph by Dora Maar and work by photographer Susan Hiller

National Gallery of Art acquires iconic photograph by Dora Maar and work by photographer Susan Hiller Installation view of Susan Hiller’s Ten Months (1977–1979), gelatin silver print, National Gallery of Art, Washington, Gift of the Collectors Committee, Alfred H. Moses and Fern M. Schad Fund, Gregory and Aline Gooding Fund, and David Knaus Fund © The Estate of Susan Hiller; Courtesy Lisson Gallery. WASHINGTON, DC .- Père Ubu (1936) by Dora Maar (1907–1997) is an iconic photograph of the surrealist movement. This exceptional print has recently been given to the National Gallery of Art by J. Patrick and Patricia A. Kennedy. It joins two other works by Maar already in the collection and strengthens the National Gallery’s holdings of surrealist photography.

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