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JoJo s Italian restaurant opens Sept 21 in West Fargo

JoJo s Italian restaurant planned for former Tru Blu Social Club in West Fargo

Newmark brokers Times Square lease for Brooklyn Delicatessen

Share  Newmark announced a 4,960 s/f lease for Fireman Hospitality Group’s Brooklyn Delicatessen restaurant at the Paramount Building in Times Square. The fast-casual concept will be located at 1501 Broadway.  The new Brooklyn Delicatessen location marks their second spot in the city and will be on the 43rd Street side of the property. The first location is at 57th Street and 7th Ave. Newmark’s Vice Chairman Ben Birnbaum, Senior Managing Director Ross Berkowitz, Associate Directors Andrew Taub and Jason Wecker were the sole brokers on the lease transaction. Levin Management Corporation and Rosemark Management serve as owner representatives for the Times Square landmark property, which was built in 1926 as the East Coast headquarters of Paramount Pictures.

Women Who Fly: Nona Hendryx and Afrofuturist Histories

Image: Paula Lobo A Sun Ra tribute concert by a member of the pathbreaking pop group Labelle leads to reflections on how Black women artists and scientists have often been at the vanguard of their disciplines though most are still awaiting due recognition. This essay is featured in Boston Review’s new book, Ancestors. On the last night of Black History Month, February 29, 2020, I attended a concert held in the Temple of Dendur, at New York’s Metropolitan Museum of Art the last such event that I would attend, it turned out, for a very long time. Those who have visited the room will know that it resembles a massive display case: a pavilion-like wall of glass exposes the temple to the sky, and a reflecting pool frames it below. On this night, the temple glowed lavender in the dark behind 600 folding chairs that had been set up to face a makeshift stage. A DJ played songs like Parliament’s “Mothership Connection (Star Child)” while four d

Women Who Fly: Talking to Nona Hendryx About Afrofuturist Histories

Photo by Mark Millman On the last night of Black History Month, February 29, 2020, I attended a concert held in the Temple of Dendur, at New York’s Metropolitan Museum of Art the last such event that I would attend, it turned out, for a very long time. Those who have visited the room will know that it resembles a massive display case: a pavilion-like wall of glass exposes the temple to the sky, and a reflecting pool frames it below. On this night, the temple glowed lavender in the dark behind 600 folding chairs that had been set up to face a makeshift stage. A DJ played songs like Parliament’s “Mothership Connection (Star Child)” while four dancers roamed the aisles, voguing and tilting into deep penchés. One dancer, a very tall person with a beard, wore a visored helmet, silver wings, and a skirt made out of a tarp. Before long, a line of people wearing similar costumes and carrying instruments processed up to the stage and started to play saxophone, synthesizers, arca, dr

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