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When a Soundtrack Becomes Beautifully Contrary to Violence on Screen Tom Jolliffe looks at the effective use of contrarian music in films which show violence… There’s something about a great film soundtrack whether it’s the score or songs (or both). You can have a melancholic drama which will usually be laced with melancholic music. You can have the rousing action adventure with the John Williams barnstorming orchestral number. If you look at cinema with a core of violence, like the action, thriller or horror genres for example, often the music will stick to a formula that ties in with that genre. However, on occasion, the musical direction of a film will shake things up and go for something unexpected.

United statesJames horner walter hillJohn wooTakeshi kitanoJoe hisaishiTom jolliffeMichael gibbsJohn williamsDaisaku kumeScorsese herrmannBernard herrmannTravis bickleMichael madsenGerman electronicTangerine dreamNear dark