Ainhoa Rodríguez, which is world-premiering in the Tiger Competition of the 50
thInternational Film Festival Rotterdam, is one of the most suggestive and beautiful that this writer can remember of late. It shows an illustrated female figure holding a cigarette in one hand and a traditional sweet from Extremadura in the other, while a cage with a single flame burning inside it emerges from the top of her open head. It would be impossible to come up with a better suggestion of the nuances of this movie than this illustration (which is the work of
Santiago Cubides and
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