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Haseen Dillruba - A Dull Mishmash of Genres Crime is okay if you can do it cleverly enough
Vinil Mathew’s second film Haseen Dillruba shows that scriptwriter Kanika Dhillon and director Mathew could not quite make up their minds about the kind of film they wished to make. The indecision comes across in the final product, confusing the audience too.
The film opens with the beautiful Rani (Tapsee Pannu), the young housewife who is also the protagonist of the story, feeding stray dogs in the neighbourhood with pieces of meat. The house she lives in suddenly bursts into a terrible explosion, and there is a huge fire with a body inside completely scarred, with just the name ‘Rani’ seen tattooed on a severed arm.
BaliGoaIndiaRani-tapsee-pannuNeel-harshavardhan-raneMandira-bediShujaat-saudagarHaseen-dilrubaHaseen-dillrubaVinil-mathewVikrant-masseyTapsee-pannu Director: Vinil Mathew
Rating**
What would you expect in a 136 minute film if in less than 5 minutes into the opening scenes, you see a blast ripping off a man to smithereens in a house? Your mind would be all the more intrigued if you got to know that the man lying with a tattooed severed hand is none other than the male lead? And, as if this wasn’t enough, his wife is on trial for his murder! For most of us this lurid tale of passion, love and revenge sets the tone for a rollercoaster ride when the wife of the dead is accused of the murder. But wait! While your expectations may veer in many directions, the opening credits highlighting Kanika Dhillon’s name as the creative mind behind the ‘Story, Screenplay & Dialogues’ of the film raises your hopes for something more than the ordinary for sure.
KedarnathUttaranchalIndiaRani-tapsee-panditRishu-saxena-vikrant-masseyHarshvardhan-raneHaseen-dilrubaVinil-mathewVikrant-masseyTapsee-pannuAditya-srivastavaDinesh-pandit