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By A version of this column originally ran in  Le Devoir on July 5, 2021. Translated from the French by Elettra Pauletto. Over the past three years, Harper’s Magazine has developed a controversial reputation with regards to the #MeToo movement and woke culture, especially due to our publication of provocative articles by Katie Roiphe, John Hockenberry, and Thomas Chatterton Williams. After last summer’s publication of the so-called Harper’s Letter a manifesto against ideological conformity more and more readers have demanded (not always politely) a clear explanation of our editorial line. These demands often came with some bizarre implications. Are we allies of the neo-fascist right? Are we secretly Trumpists? Are we taking advantage of the white privilege that is so reviled by social-justice activists? Do we practice a “nice racism,” as Robin DiAngelo has titled her new book, which, according to the press re

Robin diangeloElettra paulettoKatie roipheLionel trillingThomas chatterton williamsJohn hockenberryMichel houellebecqHarvard universityColumbia universityThomas chattertonGood presidentPresident trumpராபின் தியன்கெளோதாமஸ் சாட்டர்டன் வில்லியம்ஸ்ஜான் ஹாக்கன்பெர்ரிஹார்வர்ட் பல்கலைக்கழகம்