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Meet The Rising Stars Who Are Shaking Up Hong Kong s Cultural Scene

Ron Wan & Mildred Cheng “Tell them about your rugs,” Wan teases as he gives Cheng a playful nudge in the arm during a recent visit to Sheung Wan co-working space The Hive. It seems Cheng, who moonlights as a painter, has just purchased a tufting gun so she can turn her trippy artworks, some of them bordering on the erotic, into rugs. “A lot of my personal work is based on psychedelic experiences,” says Cheng, a 27-year-old vegetarian who goes by the alias “I Ride Dolphin” on Instagram. She is simultaneously head-in-the-clouds and sharp-as-a-tack, and received her bachelor’s from the Savannah College of Art and Design (SCAD)’s former campus in Hong Kong in 2017. Despite being relatively new to the field, she has already been commissioned by Zheng Mahler, the Hong Kong-based artist-and-anthropologist duo of Royce Ng and Daisy Bisenieks, to design their book,

The BBC, Harrow, and a Public Left in the Dark

The BBC, Harrow, and a Public Left in the Dark On February 18, BBC World aired a 26-minute broadcast on “drug-free treatment” in Norway, and while it was encouraging to see that initiative get this attention, the broadcast, in the way it handled the story, was also a source of disappointment: couldn’t the media, I wondered, ever challenge the conventional wisdom regarding the merits of antipsychotics? Just once? Then, two days later, I read the latest publication by Martin Harrow and Thomas Jobe on their findings from their long-term study of psychotic patients, which once more powerfully told of the

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