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DENVER, April 22, 2021 /PRNewswire/ The Denver Art Museum (DAM) will reopen its expanded and reimagined campus to the public with a free general admission day on October 24, 2021, unveiling all eight levels of its iconic Gio Ponti- designed Lanny and Sharon Martin Building (formerly referred to as the North or Ponti Building), which originally opened to the public 50 years ago, and the new Anna and John J. Sie Welcome Center. Part of an overall campus reunification and building renovation project designed by Machado Silvetti and Fentress Architects, the campus reopening coincides with the Martin Building s 50th anniversary.
Inside the Dirty, Dangerous World of Carbon Flooding 17/04/2021
An active oil pumpjack east of Andrews, Texas, November 2009. Photo: Zorin09/Wikimedia Commons, CC BY 3.0
Around the world, scientists and advocates call for keeping carbon in the ground as a means of staving off climate change. But in the Southwestern United States – mainly in Colorado and New Mexico – a mainstay of obtaining more oil is facilitated by doing the exact opposite: drilling pure reserves of carbon dioxide out of the ground.
After it’s extracted from these natural-source underground fields, the gas then gets piped to the Permian Basin, the nation’s top-producing oil fields of West Texas and southeastern New Mexico. There, oil companies use the CO2 to flood their wells, forcing the last dregs of crude to the surface in a process also known as enhanced oil recovery, or EOR.
Small Screens, Big Scares: 10 More Terrifying TV Movies
Now, Chad Collins compiles another list of terrifying made-for-TV movies! Did your favorite make the list? By Chad Collins
In June of last year, I highlighted my
favorite made-for-television horror movies. The response was somewhat divisive, in large part on account of the perceived snubs (sorry,
Salem’s Lot fans). It’s curious, though, because made-for-TV horror movies are, in a sense, a subgenre of their own. Shades of Aaron-Spelling’s heyday, even among those titles he did not produce, permeate almost every entry in the canon of televised scare fests. Despite the diversity– some muted and washed-out, some vibrant and lively, others adapted from seminal pieces of genre fiction– there’s something linking them all together.