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Page 15 - தொலைபேசி அவிவ் அருங்காட்சியகம் News Today : Breaking News, Live Updates & Top Stories | Vimarsana

This massive sculpture is now standing in NYC s Rockefeller Center

Advertising A 10-foot-tall sculpture now looms over NYC s Rockefeller Center Channel Gardens, gazing up at 30 Rock a stance we ve all taken at some point, whether as a tourist or a passerby. The stainless steel artwork by American artist Tom Friedman was just unveiled at the entrance to the gardens located on Fifth Avenue between 49th and 50th streets, and it ll be standing tall until March 19. Titled Looking Up, the humanoid figure was created with crushed aluminum foil pans which, through a process of lost wax casting, retains the imprint of the original materials. The sculpture combines Friedman s interests in the supernatural and experiential, according to Rockefeller Center s developer Tishman Speyer. 

The pioneering 1930s female architect forgotten in Tel Aviv, immortalized in N Y C

Follow Jan. 19, 2021 Genia Averbuch immigrated to Palestine from Ukraine as a child in 1911 and grew up to design nothing less than Tel Aviv s famous Dizengoff Square. She also planned numerous apartment houses in the city, the offices of women’s organizations and three synagogues, including Midrashiyat Noam in Pardes Hannah. Averbuch has been mentioned in many publications and is also the only female architect appearing in Nitza Metzger-Szmuk’s 1993 book “Houses from the Sand: International Style Architecture in Tel Aviv” – a milestone in the designation of Tel Aviv as the White City. Lotte Cohn was the first female architect in the country: For five decades, starting in 1921, she designed numerous projects that became icons in the history of the Yishuv (pre-state Jewish community), among them the agricultural school in Nahalal, a public kitchen that was the first to operate on electricity, the Kaete Dan Hotel in Tel Aviv and that city s Rasco neighborhood. Cohn’s wor

The Israeli photojournalist chipping away at the occupation, one shot at a time

Follow Jan. 16, 2021 For her 15th birthday, in 1951, Amalia Tolchinsky received a not so exciting present from her father: a certificate affirming that 10 trees had been planted in her honor by the Jewish National Fund in Israel. So disappointed was she that completely forgot about the gift. Born and raised in Buenos Aires, she was very far, physically, from the JNF pine saplings in the young Jewish state, and the truth is they didn’t really interest her very much. In fact, in the 70 years since that donation was made – even after she immigrated to Israel, where she has lived since the 1970s – she never looked for the trees that were planted in her honor. But for her son, photographer Miki Kratsman, the very existence of those trees constitutes something akin to a seminal event. They are the point of departure for a project that is related to a larger theme that has engaged him for most of his professional life: the dispossession, erasure and repression of the Palestinian pas

The Rappaport Collection increases its support for Israeli artists

The Rappaport Collection increases its support for Israeli artists In light of the Corona pandemic, based on the vision of Baruch and Ruth Rappaport and out of a commitment to advancing the world of culture, the foundation decided to increase its support for the art community in Israel. TEL AVIV .- The Baruch and Ruth Rappaport Foundation is increasing its support for the Israeli artist community this year and changes the layout of the prize according to the needs of the hour, due to the corona pandemic. This year, the fund will purchase artworks worth $150,000 from artists of all ages living in Israel, for the Rappaport Collection at the Tel Aviv Museum of Art.

Kohn Gallery announces representation of Nir Hod

Kohn Gallery announces representation of Nir Hod Nir Hod. Courtesy of the artist. LOS ANGELES, CA .-Kohn Gallery announced the representation of New York-based artist Nir Hod. Over the last 20 years the artist has exhibited internationally in Europe, Asia, Israel and the United States, and has established a reputation for intrinsically beautiful works, from figuration to abstraction, that belie a deeper, fundamental meaning. Last July, Kohn Gallery debuted Hod’s first West Coast solo exhibition of paintings and sculpture titled The Life We Left Behind. Known for his reflective, abstract paintings, Hod often begins his process with heavily-labored gradient beneath paintings adding a chroming technique first developed by the U.S. Navy in 1939, then degrading this finish application via water, ammonia, air pressure and various acids to create a surface tension between newfangled industrial applications and age-old oil technique. His canvases are heavily laden with paint and chro

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