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Seminar to talk about preventing drug use and bullying in kids
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Anti-Drug, Anti-Bullying organization lends help to kids heading back to school
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Suzanne Hudson on the art of Deborah Remington
Deborah Remington,
Haddonfield, 1965, oil on canvas, 74 1⁄8 × 69 . © Deborah Remington Charitable Trust for the Visual Arts/Licensed by VAGA at Artists Rights Society (ARS), New York.
IN 1965, Deborah Remington returned to the East Coast after nearly two decades in California, memorializing her homecoming with the painting
Haddonfield, named for the New Jersey town where she was born. Below a skewed butterfly shape, a steely abstract form is bisected and from there stutters into a pictorial void as it fans out toward the edges. Centered in its vertical frame like a Cubist figure in a studio portrait, the complex shape self-differentiates from the ground, which features a subtly modulating gradient shading from total opacity at the top to the lighter if still penumbral glow that appears to emanate from the form’s base. Dore Ashton, in a catalogue for Remington’s first retrospective, i