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Woman on the podium?

Woman on the podium? 1181504 Georg Etscheit - When Mexican conductor Alondra de la Parra made her debut at the Mozart Week music festival in Austria in January 2019, the critics were full of praise. Germany’s Sueddeutsche Zeitung described her as a “charismatic conductor” and wondered how long it would be before she was snapped up by a German record label. The 38-year-old, known for her impulsive, physical conducting style, is currently music director of the Queensland Symphony Orchestra in Brisbane, Australia. And she is one of a growing number of ambitious women gracing the world’s podiums. Only a decade ago, examples of female conductors were few and far between, with a few notable exceptions: Australian Simone Young, then general music director of the Hamburg State Opera; and American Marin Alsop, then head of the Baltimore Symphony Orchestra.

Theaters Go Digital to Talk About Life (and Death) in the Pandemic

Theaters Go Digital to Talk About Life (and Death) in the Pandemic German playhouses are finding innovative ways to forge connections while their doors are closed. Jonny Hoff as Werther and Florian Gerteis as his friend Wilhelm in “werther.live.”Credit.werther.live Feb. 11, 2021 An interactive thriller about the race for a vaccine. A morbid installation on the stage of a theater no one can visit. A literary classic set during lockdown and narrated through social media posts. This is what theater in Germany looks like in early 2021. Nearly a year after the pandemic first shuttered playhouses in the country, German theatermakers have become increasingly adept at working around virus-related restrictions. Now, instead of the deluge of archival recordings or the broadcasts of productions planned before the pandemic, an increasing amount of digital theater is using technology to address Covid-era concerns.

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