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The Baltimore Museum Walked Back Plans to Sell Art to Fund Equity Initiatives Now, It s Raised $1 5 Million the Old-Fashioned Way

The Baltimore Museum Walked Back Plans to Sell Art to Fund Equity Initiatives Now, It s Raised $1 5 Million the Old-Fashioned Way
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After thwarted art sales, Baltimore Museum of Art marshalls funding to promote diversity and equity

Art from Maryland on view at the Baltimore Museum of Art Baltimore Museum of Art Stymied in its bid to sell three blue-chip Modern masterworks last fall to help finance its diversity, equity and other goals, the Baltimore Museum of Art (BMA) says it has received three gifts to support such initiatives at the museum. The museum reports that the philanthropist Eileen Harris Norton has donated $1m to finance diversity, equity, accessibility and inclusion (DEAI) efforts. Half of the gift will go towards outlays for those purposes over the next three years, and half will seed the creation of an endowment to ensure that such efforts continue, the BMA says.

Kay WalkingStick joins Hales

Kay WalkingStick joins Hales NEW YORK, NY .-Hales is proud to announce representation of American artist Kay WalkingStick. WalkingStick’s works are currently included in Site, a three-person exhibition at Hales New York. The gallery will host a solo show of her work in New York City in 2022. Primarily a painter, Kay WalkingStick (b. 1935 Syracuse, NY) has for over six decades explored the American Landscape and its metaphorical significances to Native Americans and people across the world. WalkingStick has Cherokee/Anglo heritage, and she draws on the Native American experience as well as formal modernist painterly traditions to create works that connect the immediacy of the physical world with the spiritual. Attempting to unify the present with history, her complex works hold tension between representational and abstract imagery. Her paintings represent a knowledge of the earth and its sacred quality.

Lisa Yuskavage and the freedom of art | Apollo Magazine

Apollo. Preview and subscribe here. Sometime not long ago, before the pandemic rendered such gatherings unconscionable, I met up with a few fellow critics for drinks at a friend’s house. At one point in the evening, during a boisterous discussion about artists’ personal politics, someone casually remarked that so-and-so was ‘definitely a misogynist’, and everyone roundly agreed before cantering on with the conversation. I didn’t catch the name of the artist to whom they were referring, except that it was that of a woman. The next day, I couldn’t stop wondering about the comment, and about the consensus that had immediately formed in the room. (All present were men.) Who was this well-known female misogynist? How and why did her irrefutable misogyny manifest? Consumed by curiosity, I emailed a friend to ask if he remembered who they were talking about. He told me it was Lisa Yuskavage. Many months later, when Yuskavage picks up the phone at her second home on the North F

George S Wills, founder of PR firm Wills & Associates, people person and accomplished watercolorist, dies

George S Wills, founder of PR firm Wills & Associates, people person and accomplished watercolorist, dies
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