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Black students create Baltimore Institute of Musical Arts amid Jim Crow laws

For years, Jim Crow laws kept Black people from opportunities in education and professional careers, among other fields.In the 1940s, the Peabody Institute turned Black people away, telling them they couldn t learn music there. So, the students organized their own school at 811 W. Lanvale St. called the Baltimore Institute of Musical Arts.At 82, Daniel Comegys can still belt out a song. His voice reflects the years he spent perfecting his craft and performing. His musical career started at the Baltimore Institute of Musical Arts when he was just 12 years old. Black students were unable to go to the Peabody Conservatory of Music, and so the teachers from the Peabody Preparatory Department taught us, Comegys said.Christopher Kojzar and Mollye Bendell, who are with Strikeware, a Baltimore-based art collective, have been researching the school. There was just no place for Black students to go and learn under the tutelage of composers or people who had a high standing in the music

Orchestra rebukes flutist s statements on virus, election – Maryland Daily Record

Orchestra rebukes flutist s statements on virus, election – Maryland Daily Record
thedailyrecord.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thedailyrecord.com Daily Mail and Mail on Sunday newspapers.

Baltimore Symphony Orchestra rebukes flutist over social posts pushing conspiracy theories on vaccines, election

The Baltimore Symphony Orchestra issued a public rebuke Saturday to its principal flutist over her social media posts pushing conspiracy theories on such topics as the coronavirus and election fraud.

Is the BSO producing a comedy album? | READER COMMENTARY

Orchestra Of St Luke s Presents SOUNDS & STORIES: ANNA CLYNE AND JYLL BRADLEY

Steve Reich - New York Counterpoint J.S. Bach - Contrapunctus I-IV from Art of the Fugue Anna Clyne - Strange Loops (World Premiere) Jyll Bradley, David Ward, Anna Clyne - Woman Holding a Balance (World Premiere) About Anna Clyne London-born Anna Clyne is a GRAMMY-nominated composer of acoustic and electro-acoustic music. Described as a composer of uncommon gifts and unusual methods in a New York Times profile and as fearless by NPR, Clyne s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians. Clyne has been commissioned by a wide range of ensembles and institutions, including BBC Radio 3, BBC Scottish Symphony, Britten Sinfonia, Carnegie Hall, Chicago Symphony Orchestra, Houston Ballet, London Sinfonietta, Los Angeles Philharmonic, Seattle Symphony, and the Southbank Centre. Her work has been championed by such world-renowned conductors as Pablo Heras-Casado, Riccardo Muti, Leonard Slatkin, André de Ridder, Esa-P

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