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Is Thornton Wilder s Our Town everybody s town?

Sherman points to the play’s capacity to transcend the parochial and embrace universal human experience. Like Jesus’ parabolic mustard bush, Our Town affords many sheltering branches to an impressive diversity of audiences. It was performed in Japanese internment camps during World War II and was the first American play produced in Berlin after the war. In 1968, a Los Angeles production populated Grover’s Corners with cast members who were African American, Apache, Russian, Mexican, and Chinese. This trend continues into the 21st century. After three short chapters on the origins and early reception of Our Town, Sherman’s book consists of a series of oral histories based on interviews with more than a dozen casts of recent revivals of the play.

Applause: Graduations, milestones and more things to cheer in Marion

University graduates Colton James Cameron, Ocala, Bachelor of Business Administration, School of Business Administration, University of Mississippi Dean’s List Other accolades Charles Phelps, Ocala, University of Maryland Global Campus Alexandra Saputo, Ocala, Berry College Local nonprofits receive contributions from Youth Philanthropy in Action middle school students The Community Foundation for Ocala/Marion County and NonProfit Business Council awarded $2,500 as part of the Youth Philanthropy in Action program, according to a press release from the foundation. In spring 2021, Belleview Middle School and Osceola Middle School participated in YPIA. Osceola did so in spring 2020, as well, but COVID-19 abruptly altered the program delivery.

The Review: We re Off to the Method Wars

Subject: The Review: We re Off to the Method Wars If you were paying attention to academic Twitter last week, especially those precincts occupied by scholars of literature, you might have noticed a several-day-long flare-up over questions of interpretation and critique. (Search method wars and you ll see what I mean.) Although occasioned by recent arguments around the work of Rita Felski most immediately, a defense of her postcritique in The Point and a critique of it in the Los Angeles Review of Books this debate deserves to be seen in a wider view, encompassing not only Eve Kosofsky Sedgwick s 1997 essay Paranoid Reading and Reparative Reading but also a tradition of essays on literary criticism s relationship to philology, including especially Edward Said s The Return to Philology (in

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