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Martine has heard that Lloyds Bank on Baker Street is having a new security system installed. That means their vault will be without an alarm for a short time. Better yet, one of the nearby shops is vacant, which provides an opportunity for Terry and a hand-picked crew to drill their way underneath the vault with a minimal chance of detection. It all sounds too good to be true – and Terry can't help shake his suspicion that he may be being set up. Inspired by a real robbery in September 1971,
The Bank Job states it has changed names “to protect the guilty”. It's also hard to tell what else is the truth, as four days after the real heist, British authorities issued a D-Notice requesting that news coverage be discontinued for reasons of national security. To back up their claims, the film-makers say they have an inside source.
BostonMassachusettsUnited-statesAustraliaUnited-kingdomBritishDavid-suchetStephen-campbell-moorePeter-bowlesIan-la-frenaisRoger-donaldsonDick-clementThe Wire (2002)
A proper heavy should have minimal backstory. When we see drug enforcer Snoop browsing nail guns in season four of The Wire, we know enough about her already. Whether she is kneecapping witnesses or being branded “terrifying” by horror writer Stephen King, Snoop is a fresh-faced psychopath who you definitely shouldn’t ask for ID.
Too cruel for school ... Gogo Yubari. Photograph: Miramax/Allstar
Gogo Yubari
Kill Bill: Volume 1 (2003)
Hell hath no fury like a woman armed with a Chinese meteor hammer. Innocent-looking Gogo is surely the wildest sixth-former to ever grace the screen: the boys from If … (1968) would run shivering to their dorms if they saw what she can do to an unwanted suitor’s testicles. Proof that not all bodyguards need to fill a doorway to be intimidating.
ChinaUnited-kingdomNottinghamChineseRondo-hattonLouis-mellisStephen-kingFreddie-maysKing-johnRobin-hoodRoger-mooreRichard-kielThat’s a lovely word,
lilting. It means the pleasing rise and fall of a voice, usually accented, and
so it makes an apt title for “Lilting” the first feature
for writer-director Hong Khaou, which concerns itself with a language barrier.
Junn (Cheng Pei Pei) is an elderly Chinese-Cambonian woman who emigrated to
Britain decades ago but still depends entirely on her son Kai (Andrew Leung).
In the first scene, we see the way she manipulates and guilt trips him; she
wonders why he is visiting her as if she were “a pet.”Junn, it turns out, has been put into
Alan-peter-bowlesRichard-ben-whishawVann-naomi-christieChristie-vannBen-whishawNaomi-christiePeter-bowlesநவோமி-கிறிஸ்டிபீட்டர்-கிண்ணங்கள்