Foutez-moi le bordel ! : premier aperçu survolté pour Suprêmes , le biopic sur NTM
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De l eau dans le gaz entre Kool Shen et JoeyStarr ? Les stars de NTM ne se parlent plus
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© Laurian Ghinitoiu
Curatorial Text by Angela Rui. After cats and dogs, fish are now the third most popular type of pet, but once removed from their natural habitat, transported around the world, and sold as domestic companions, their lives start to depend entirely on the object that contains them: a glass box designed to host living creatures unable to survive outside it. Therefore giving rise to an animal-object coupling: a self-contained world and a techno-natural assemblage, all neatly integrated into our home furnishings.
Axonometric view
Invented in the Victorian age – and responsible for a social phenomenon that became known as the “aquarium craze” – the domestic marine fish tank has never gone out of fashion. It continues to constitute an ocean diorama and private zoo, hosting a living collection that serves as our own personal representation of a very fictional marine world.
Photography by Bruno Lopes
What does it mean to live in a “post-global” world? Posing this question – and also answering it – is a new exhibition presented by Lisbon’s MAAT (Museum of Art, Architecture and Technology), named
X is Not a Small Country – Unravelling the Post-Global Era. Curated by Aric Chen alongside designer, curator and educator Martina Muzi, the show compiles nine large-scale installations from international practitioners spanning design, architecture and art. All of which explore a post-global landscape, providing examples of how this new world might look and function.
It’s a vast, detailed and oftentimes dizzying display of the current state of affairs. Previously, the rapid rise in globalisation had accelerated us into new and bountiful territories. Then after Brexit, trade wars, refugee crises and rising nationalism, we were faced with a new hurdle: a pandemic. Travel was disrupted and many switched to digital communications and exchanges; thu