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L Azerbaïdjan retarde la visite de la mission de l UNESCO chargée d évaluer la ( )
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If you stand at the corner of Artsakh Avenue and East Broadway in Glendale you’ll catch a glimpse of a surreptitiously installed public monument.
It shows a woman’s face veiled by lace a still from Sergei Parajanov’s 1969 film, “The Color of Pomegranates” along with the phrase “ARTSAKH ENDURES.” Emanating from the piece is a soulful mix of Armenian songs.
To see (and hear) this unusual art piece, you’ll need a cellphone since “Monument to the Autonomous Republic of Artsakh” is totally virtual visible only via an augmented reality app and visible only at that specific geographic point. It’s a poignant work: a reminder of a bloody conflict thousands of miles away in the region of Nagorno-Karabakh in Azerbaijan (known as Artsakh by Armenians), one that has left thousands dead and centuries of Armenian cultural legacy imperiled.
Armenian monuments are at risk in Azerbaijan. L.A. artists make their own to keep memory alive Carolina A. Miranda © Provided by The LA Times Members of the She Loves Collective staged a performance in downtown L.A. in October to draw attention to Aremenian cultural legacy. (Liana Grigoryan)
If you stand at the corner of Artsakh Avenue and East Broadway in Glendale you ll catch a glimpse of a surreptitiously installed public monument.
It shows a woman s face veiled by lace a still from Sergei Parajanov s 1969 film, The Color of Pomegranates along with the phrase ARTSAKH ENDURES. Emanating from the piece is a soulful mix of Armenian songs.