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Most accounts of the last year in Chinese cinema are dominated by films that were made for the ever-expanding domestic box office, and the local film industry’s struggle for screen time in competition with Hollywood imports. On the one hand, we read about Back to 1942, an historical epic about a bygone Chinese famine and the latest would-be blockbuster from perennial hit maker
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Lighting design for exhibition spaces in museums can be quite challenging because light must simultaneously enhance the space, preserve the integrity of the artworks and highlight them in a way that ensures the best conditions for the visitor s enjoyment.
In addition to having the highest CRI (Color Rendering Index), daylight contributes to a feeling of comfort and well-being in the built environment. In exhibition spaces, natural lighting is important to accurately reveal the colors of the objects on display, which is very significant for works of art and provides more visual comfort for visitors to clearly perceive the exhibits.
Hong Kong, China – While teaching in Hong Kong in 2011, filmmaker Ying Liang was banned from going home to the Chinese mainland after making a documentary about a Beijing mother trying to save her son from the death penalty.
Ten years after he accidentally became an immigrant, Ying tried to make the most of the city’s freedoms, even though he was under threat. National Security Act and repression of pro-democracy politicians and activists.
Just last month, Ying screened an offensive film for two dozen viewers at an art center.
“We need to take care of our freedom while we are still there,” he told Al Jazeera.