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Intensity can dissolve distance. Hopes were always high for Hymn, Lolita Chakrabarti’s new play, not least because it starred Adrian Lester and Danny Sapani. Then Covid snatched it from the stage and its chances seemed sadly diminished. Could a drama about intimacy and trust be convincing when actors have to stand two metres apart? Blanche McIntyre’s tremendous livestreamed production proves that it can. It is the layering – of sound, sight, words, dance, gesture – that gives this two-hander its depth charge. Chakrabarti wanted to explore something she had seen among friends and extended family, but never on stage: a love between men which was neither physical nor romantic, but subtle, complicated, often uncertain. Her plot – which draws on a racist incident involving Lester, to whom she is married – deserves to keep its secrets, but nothing is ruined by saying they hinge on a meeting between two middle-aged men and involve the loyalties and betrayals

City ofUnited kingdomChristopher alderDanny sapaniMiriam buetherAdrian lesterLolita chakrabartiAnastasia osei kuffourRichard blackwoodRyan calais cameronThen covidBlanche mcintyrePapa wasRolling stonePrema mehtaநகரம் ஆஃப்