The late French filmmaker Chris Marker, who died in 2012 at
the age of 91, was a pioneer of what some critics call the “essay film,” but
he’s best known for his (perhaps) entirely fictional short, the seminal 1962
time-travel tale “La Jetée.” That less-than-a-half-hour movie is a massive
influence on almost every sci-fi piece on time-travel since, not to mention a
direct, credited inspiration for Terry Gilliam’s visionary feature “Twelve
Monkeys.” He never made another film
like it, at least directly like it. But every one of his nearly 60 other films
are intimately tied to that masterpiece, because they are all about human perception
A favor de la prisión domiciliaria para el apropiador de una hija de desaparecidos
El exmilitar condenado Carlos del Señor Hidalgo Garzón recibió el aval de la Sala II para dicho beneficio
Foto Lo Imposible .
jueves, 15 de julio de 2021 · 20:41
La Sala II de la Cámara Federal de Casación Penal avaló hoy por mayoría la prisión domiciliaria de un exmilitar condenado por la apropiación de una hija de desaparecidos durante la última dictadura, informaron fuentes judiciales.
La medida, que benefició al exoficial de Inteligencia del Ejército Carlos del Señor Hidalgo Garzón, fue firmada por los jueces Carlos Mahiques y Guillermo Yacobucci, mientras el camarista Alejandro Slokar votó en contra.
CargoNet says reports of industry-related fraud schemes increased year-over-year in 2021 s first quarter, while outright theft of trucking vehicles or cargo decreased slightly. Also: New ADAS guides, videos from FMCSA program; former fleet owner passes.
Painted by a madman? Edvard Munch s The Scream
Credit: Hemis / Alamy
Even if you don’t know The Scream, you know The Scream. In the century since Norwegian artist Edvard Munch produced his most famous work, its mouth-gaping, head-clutching central image has become a universal shorthand for existential angst.
But this week, the solution to an enduring mystery surrounding the painting has prompted a reassessment of the artist’s relationship to his own work. A conservation project at the National Museum of Norway has revealed that a line of what was thought to be graffiti on the canvas of the earliest version of the painting was actually written by the artist himself. Infrared scanning has matched the tiny letters in “can only have been painted by a madman”, a phrase written in Norwegian that can just be glimpsed in the upper left corner of the Museum’s 1893 canvas, with surviving samples of Munch’s handwriting.
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