Rachel Howard March 4, 2021Updated: March 14, 2021, 12:57 pm
Betty Fine (Sarah Van Patten) is a vaudeville chorus girl in “Wooden Dimes.” Photo: Lindsay Gauthier, San Francisco Ballet
If a choreographer wants to make the most of this pandemic era, Sarah Van Patten is the woman to put on the screen. Van Patten, who joined the San Francisco Ballet in 2002, is the finest actress-dancer in the company, so it is good to have a beautifully directed record of her theatrical genius in Danielle Rowe’s new dance film, “Wooden Dimes,” the clever Art Deco centerpiece of the Ballet’s digital Program 3, which begins streaming Thursday, March 4.
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Rachel Howard January 15, 2021Updated: January 15, 2021, 6:21 pm
The San Francisco Ballet Orchestra under the direction of Music Director Martin West. Photo: San Francisco Ballet
Patrons prepared not by fastening their tuxedo cuff links but by downloading an app; the ribs bourguignon were served not piping hot in the War Memorial Opera House halls but reheated in the microwave after home delivery.
Yet there we were on Thursday, Jan. 14, for the opening gala of San Francisco Ballet’s 88th season, connected through our computer screens. There were the dancers, some with their spouses, in little Zoom boxes at virtual “tables,” free to socialize because their performances had been prerecorded.