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Pop Singer-Songwriter Zoe Behrakis to Release Rollicking Third Single Strangers on February 19

Pop Singer-Songwriter Zoe Behrakis to Release Rollicking Third Single Strangers on February 19
prnewswire.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from prnewswire.com Daily Mail and Mail on Sunday newspapers.

Pop Singer-Songwriter Zoe Behrakis to Release Rollicking Third Single Strangers on February 19

Pop Singer-Songwriter Zoe Behrakis to Release Rollicking Third Single Strangers on February 19
prnewswire.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from prnewswire.com Daily Mail and Mail on Sunday newspapers.

Calgary Opera present The Yuletide Sessions

The Yuletide Sessions: A Holiday Concert from Home. The 30-minute production features classical masterworks and holiday favourites.  It’s performed by aspiring singers in Calgary Opera’s Emerging Artist Development Program. The show streams digitally on demand starting Friday until January 3rd. Lisa Wilton recently spoke with interim musical director, Mark Morash about why presenting the Christmas show was important to the company: The Yuletide Sessions: A Holiday Concert From Home goes online Friday at 7 pm.  Tickets are $10 per household. For more information, visit CalgaryOpera.com

High notes at home: Calgary Opera offers virtual Yuletide Sessions to bring some holiday cheer

Author of the article: Eric Volmers Publishing date: Dec 16, 2020  •  December 16, 2020  •  4 minute read  •  Eden Tremayne, soprano and 2020-21 Calgary Opera Emerging Artist, with The Yuletide Sessions musical director, Mark Morash. Photo courtesy, Harder Lee Photo jpg Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Article content When Mark Morash was asked to join Calgary Opera in mid-October by CEO Heather Kitchen he wasn’t given much time to ponder the most obvious question: What on earth could an opera company be doing when stages around the world have gone dark due to COVID-19?

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