Paul Cézanne, Mont Sainte-Victoire (La Montagne Sainte-Victoire vue des Lauves) (1902–06), watercolour and pencil on wove paper, 16 3/4in x 21 3/8in The Museum of Modern Art, New York. Gift of Mr. and Mrs. David Rockefeller. Photo © MoMA, NY
The first public exhibition the Museum of Modern Art (MoMA) in New York ever held, in November 1929, focused on just four artists: Cézanne, Gauguin, Seurat, Van Gogh. The museum returns to those artistic roots this spring with the show
Cézanne Drawing (6 June-25 September), the first in the US to bring together the artist’s varied works on paper, from the sketchbooks he kept throughout his career to the large-scale, richly layered watercolours he made.
Duncanson painted Minneopa Falls
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Top 5 things to do in Cincinnati this weekend: Feb. 26-28 Luann Gibbs, Cincinnati Enquirer © Glenn Castellano, New-York Historical Society/Provided The buttoned boots, made sometime in the 1870s, are among the oldest pair of shoes in the Walk This Way exhibit from the Stuart Weitzman Collection.
1. Walk This Way: The Stuart Weitzman Collection of Historic Shoes
Saturday at Taft Museum of Art (316 Pike St., Downtown). From silk boudoir shoes created for the 1867 Paris Exposition to the early 1940s leather spectator pumps signed by the New York Yankees, this foot-tastic exhibit features more than 100 striking pairs of shoes spanning nearly 200 years and multiple countries.
This Art Exhibit Sends You To Spain On American Soil
February 19, 2021
It seems somehow fitting, both as this publication’s resident art critic and as a half-Spaniard, that the first exhibition I’ve been able to visit and write about since COVID-19 lockdowns explores the phenomenon of Americans traveling to Spain: something I’ve been prevented from doing for nearly a year now.
Whether you’re primarily interested in simply looking at beautiful works of art, or if you care to wade into the somewhat unexplored waters of Spain’s influence on American art of the 19th and early 20th centuries, “Americans in Spain: Painting and Travel, 1820-1920,” which opened at the Chrysler Museum of Art in Norfolk this past weekend, and will later head to the Milwaukee Art Museum this summer, is a terrific show. The exhibition proved to be an all-too-brief reunion with something that has been denied to me for lo these many months of lockdowns and travel bans, and which I very much need t
Adger Cowans,
Footsteps, 1960. (Courtesy of Virginia Museum of Fine Arts, Aldine S. Hartman Endowment Fund / The Whitney Museum of American Art)
When the Kamoinge Workshop began in 1963, taking its name from a Kikuyu word meaning “a group of people acting together,” a few Black photographers had already gained some prominence. Gordon Parks was probably chief among them. After starting as a portraitist in Chicago, he had gone on to work during the war years with the renowned photography program of the Farm Security Administration, best known for sending the likes of Walker Evans and Dorothea Lange to document everyday rural life during the Depression; in postwar Harlem he went to work for
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