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AGO appoints Guggenheim associate curator Xiaoyu Weng to contemporary art porfolio

The Globe and Mail Bookmark Please log in to listen to this story. Also available in French and Mandarin. Log In Create Free Account Getting audio file . This translation has been automatically generated and has not been verified for accuracy. Full Disclaimer Alexei Ponomarchuk/Handout The Art Gallery of Ontario continued its internationalist push Thursday as it appointed a Chinese curator with American experience to the key portfolio of modern and contemporary art. Born and raised in Shanghai, Xiaoyu Weng currently works as an associate curator at the Guggenheim Museum in New York. This summer, she will take up the role of modern and contemporary curator at the AGO in Toronto, a city she has never visited.

Xavier Hufkens opens an exhibition of recent and historical work by Sherrie Levine

Xavier Hufkens opens an exhibition of recent and historical work by Sherrie Levine Installation view. BRUSSELS .-Xavier Hufkens is presenting an exhibition of recent and historical work by American artist Sherrie Levine (b.1947). By means of a meticulous scenography and a well-considered selection of artworks in various media, the artist investigates her abiding interest in repetition, replication and art historical appropriation. Rows of identical, repeating pregnant Tattooed Body Masks (2020) and feline Bobcat Skulls (2010), both cast from unique found objects – a wooden makondo mask from South-Eastern Tanzania and an animal carcass respectively, testify to Levine’s scrutiny of art historical principles and interpretations. By attributing equal significance to form and concept, the replication and duplication of these objects is not an arbitrary choice but indicates Levine’s profound engagement with the art historical canon. In this light, the Tattooed Body Masks can be re

Solo exhibition of sculptures and installations by Inge Mahn on view at Galerie Max Hetzler

Solo exhibition of sculptures and installations by Inge Mahn on view at Galerie Max Hetzler
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Exhibition of Assemblages and Sketches by Betye Saar Presented at Mississippi Museum of Art

Exhibition of Assemblages and Sketches by Betye Saar Presented at Mississippi Museum of Art
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Cut and paste: Visual and Material Worlds lecture explores Pickett s Charge

In eighth grade, Vance Byrd was surrounded by the Battle of Atlanta. A school field trip took him to the Atlanta Cyclorama and Civil War Museum, built around a massive cylindrical painting of the Civil War battle. Created in 1882 by 17 German artists, the painting is 40 feet tall and longer than a football field, and completely surrounds viewers with the painted battle scene. There’s an audio component, too: the recorded voices of Civil War veterans and an official narrative. “It was supposed to make you feel like you were there,” said Byrd, now the Frank and Roberta Furbush Scholar and Chair of the German Studies Department at Grinnell College.

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