Hello, im john wilson, welcome to this cultural life, the radio 4 podcast in which i talk to leading creative figures about the key moments of their life and the most important cultural works that have fired their imagination and had a profound impact on their own art. My guest is carlos acosta, the cuban born ballet star who, over a 30 year career, is now regarded as one of the greatest dancers of all time, becoming the first black principal of the royal ballet and set new standards of grace and athleticism in theatres around the world. Having retired from the classical stage, he set up his own cuban dance company, and is also a director of the berlin royal ballet. Welcome. Lets start in cuba, with your family, your upbringing. A happy childhood . Very happy, i must say, although in the � 80s in cuba, our family was i would say, it was poorer than most families but still there was a big big sense of community. It was a good time for cuba anybody could participate, do everything that society offers. Obviously education was free, there was a lot of community parties that brought the community together. I was very restless as a kid and it was in the � 80s where the Breakdancing Movement started in cuba and everything, so i was into breakdancing, obviously, later on in my family, my mother started to have some problems and then i started to experience some problems with my father being injail and things like that, but i felt the most part it was a very very good time for cuba. An artistic family . You are youngest of 11 kids. Thats right, from my fathers side. He was a truck driver, and before he met my mother he had other affairs and as a result he had 11 kids with different women. I was the youngest of his offspring. How many of those kids were all living together at any one time . We were not all living together. From my mothers side there were just the three of us, my two sisters and myself, but we kept in contact with my half brothers, say, who were in rio most of the time. I ended up going to there once i was expelled from havana. I was expelled at the age of 13. I didnt like ballet very much and i think i was experiencing a lot of problems in our household. My father was injail and at the same time my mother was ill, so basically our elder sister was the one who was cooking at home and everything, so i did not have that kind of influence and that kind of pressure, and so i went and i did whatever, so the school thought i was not reliable, because at a point, i even left a show the show was about to start and i was like playing with my mates, all covered in mud, so they said this guy, if we cast him, we dont know if hes going to turn up for the show, and so after too much of that they decided the best thing for me was just to be expelled. Take us back to the street. You mentioned breakdancing was that an early cultural passion . At the time, disco was still around, and this movie flashdance and fame, so that was the period of time, so i started to get to these parties, and my sister was dancing disco at the time and my sister showed me these moves and i got into the Breakdancing Scene that was in our bario, and i started to learn those moves and we started to little by little get stronger so we could compete in the zone. Compete . Yeah, all the time, trying to go and pick a competition between areas, and they always result in a major fight because nobody wanted to lose. Just mentioning that time, you mentioned the barios, those were districts, but impoverished districts . Everyone had a free education. If you wanted to become a lawyer, there was a way for you. If you wanted to become a ballet dancer, there was a way for you. Money was not an issue, and that was the communist way of getting by, and so it was pretty much tucked away in the outskirts of our bario. I used to take three buses to get to school, thats how far it was, i used to wake up at five in the morning, but it was a sense of adventure for me at the time, we didnt think about the future at that time. For me, it was freedom, it was fun. Were you a great breakdancer . I was a good breakdancing kid who could spin on the back of my head, and i had potential, very good, and i picked up some awards in breakdancing in my own age group, and so yeah, in the neighbourhood, i became quite well known as a breakdancer, myself and somebody else, who used to be my partner, he was white, i was black and together we did all these numbers. You have nominated yourfather was a key influence in your life and your work, and what was his job . What did he do . He used to drive a lorry, a massive lorry that he would transport food from all over the country, and sometimes he would go away for weeks, and sometimes months at a time. He worked very hard, and i started to have that sense of the value of working very hard. I admired him a lot because he in the 30s of cuba, he taught himself basically how to read with borrowed books, books that he borrowed from friends in order for him to grow intellectually and so on, so he was pretty much a self taught man. But your father was the one who introduced you to ballet, as i understand it . Introduced me to ballet, forced me to do this against my will. What age . Nine. Because it all has to do with the breakdancing crowd, he could see wjere that was going to lead, i was involved in petty crime, at nine years old, its fine, its just fruit, but later on, it could become something major, and so he thought that i needed to just get out on that scene, so he put me on something very rigid, which is ballet. Was he interested in music or was he just seeing a better way of life for you . Music is part of our culture, dance is part of our culture, being a carribean island, that we have, really inspired us to dance, so on the street i was dancing, and we communicate with our body, so he liked to sing, he like to dance, but classical music, he said he also liked it, but thats what he said. So you enrolled in Ballet School at the age of nine. After the expressive freedom of breakdance, did it not feel very restrictive . Very, very restrictive. It was quite boring, this piano music, it took me quite a while until i saw the National Ballet of cuba at age 13, seeing this amazing performance, and that is what i saw, i thought thats very cool, i want to do that. From that point on i developed that vocation, but i always had talent, my talent lies more in the ability to capture movement easily. Even if i dont come every day to ballet, even if i skip ballet, i will come back and it was still in my body and i remember the choreography, the tempo, the musical tempo of the piano and everything, and i think that was my talent at that early age, and i think what eventually saved me. At that moment when you saw ballet performed on the stage, you were 13 years old, what were you watching . There was one particular number called flower festival, which is by a danish choreographer, and its basically doing a lot of beats with arms down, kinda like a scottish dance, you see the way the man was built and thejump, thatjump and elevation, it seems like he was hanging, it was like, wow, that is something amazing, and in all it was like sport, this is incredible, and everybody applauded, and i like applause, everybody likes applause, so it was something that i thought wow, it would be great if i could do that, and people would applaud me. Did he see you dance professionally, your father . Yes, yes, and that something, because obviously he is not around anymore, and that is something that gave me a lot of peace, the fact that he fought and fought and fought for my future, did a lot of hard work to put me straight, even though i hated it at times, and he, i considered he was quite harsh and brutal at times, but then he saw the rewards, when i did my first swan lake and romeo at the opera house, and he could say thats my son, right there, hes the prince, and he was crying. For the first time i saw him wear a suit and tie, and this is something that i never saw, then i remembered at the time our director, she came to him and said were so proud of your kid and everything, and we respect him, and care for him here, and just hearing that for him was the world, and so thats something that really gave me a lot of peace. Well move to your next important moment in your life that you have chosen which had a profound effect on your life, and that takes us to 1989 the fall of communism around the world. A very tough moment in cuban history, for all of us. The level of hardship and hunger, it was amazing, and there were a lot of cats disappearing from my neighbourhood, and dogs, everything, people basically had nothing to eat. There were 20 hours of power cuts in an environment that could go from all the way from 35 to a0 degrees celsius, and there was not any way of ventilators, ofair conditioning, nothing, it could be like that for four years. That was because cuba was politically and economically alone in the world now. With the berlin wall coming down, everything just collapsed, so people did the best they could to survive. I remember it affected us all. There was this major Exodus Happening in 1994, where everybody was taking to sea in anything out of desperation. Before that we had not witnessed anything like that, it was a big rupture in Cuban Society at that point and were still talking about those times, one of hardest times. As you have already acknowledged, you have communism to thank for the free Ballet School, all of those things. Did you meet fidel castro . I met him a couple of times, he was somebody that turned up to ballet events, and events of all kinds of artistic things. An amazing figure, very tall man, everybody was afraid of him, i was afraid of him, too much power in one man, but my father loved the man, because of he lived in the time before. He went and got to meet him as well. I did a sort of musical extravaganza in 2020, 2002 sorry. He turned up in a suit, because normally comes with the green Military Outfit and then my father on camera met him, and he started to talk about with him and everything, and i remember my father said he was the messiah and all of that, and fidel said to father, you know, you know too much, im going to pay you a visit so we can really have a chat over coffee, like a proper chat, and my father did not leave the house for months after that, because i said should we go out . He said no, no, fidel told me he is coming, i better wait, and obviously he never did, but that tells you how much he admired fidel. Do you think you would have become one of the greatest dancers if it had not have been for the communist regime . For somebody like me, very hard. It was very hard to pull that off because, obviously, we did not have the means nor the money to purchase shoes. The shoes last one day and then you had to put, like, a sticky tape and that is how you do with one shoe for an entire year. I dont know if, you know, if it was not for that kind of system if i or somebody like me would be able to make it like i did. You are the boss now and you have your own company in cuba and you are the director of the birmingham royal ballet. A tough boss . Iam. But i can only apply what i apply to myself. I want people to take it seriously. I want great ideas i want to go and do something to the audience that they have not seen and i need everyone to be with me on that. The next big influence on your life and work is travel. When did you first leave cuba . When was the first time you left the country . The first country i visited was mexico. That must have been 1989 or something and then i went to italy. Immediately after two months and while i was in italy i prepared for a competition, a major contest, 137 competitors at the time. And i was the last, number 127. So i went there to a competition and, obviously at that time i did not believe in my talent myself. My teacher believed in it more than i did and decided that i was worthy of representing our school in cuba. And so i went in and it was amazing. The level, there are so many people, you know, and i was rough, coming from cuba with boots and an afro and finding my place in this amazing world away from cuba, you know . So it was intimidating at that time because, obviously, i was the only black dancer there in the competition. I had the most amazing teacher. The most amazing Support Mechanism around me, people who inspired me and filled me with confidence and that is the difference. There is so much difference on whether you win or lose because if you have an everyday connection with your teacher, so much you dance for her. You just go and clap and say you did very well, and that took a lot of the pressure in that contest, always having her say just dance and enjoy and just say, well, you do not need to win. Just enjoy. First time in europe, 16 and at a major competition. What do you remember of that day and what did you dance . Don quixote, which was one of my most important roles, don quixote. It was a solo in an act that everybody knows. So i did that. With quite a level of complexity for a 16 year old boy. This is a step that at the time was quite new and advanced for a 16 year old kid, and so in 1990 it was still pretty much, i think it was pretty much the level was quite good, i would say. Now a 16 year old boy can do three times more than that, you know . I would probably not stand a chance if i go to compete now, the level has just gone so high because that is the way it is. That is the evolution of the species. More information, more accessibility, the internet helping you to decide an aria, you can google him and he is there. When you were on that stage that day and dancing, did you know you would win . How much confidence did you have . There were 11 finalists and everybody was really really skilled and the semifinal, i had a little bit of a bumpy ride. I was not very precise so i thought maybe i will not pass to the finals. That was the one. But then when i saw that i passed, then, isaid, ok, this is it, you know . Now i will really go for it. The grand prix, the gold medal, everyone was competing for only one grand prix so to win that and to see my picture in the paper the next day. It changed my my life. At 18 you joined the english National Ballet and came to london, the first time in london i presume . Yes. The first time in london, obviously. It was raining, you know . A lot of rain and the sun disappeared, you know but i was in the city. London. It is a different scale. Already turin to me was impressive and now we were in england, and it was very hard to try to find my own self within a city, where am i here . How will i get by . Even tiny things like a bank. The bank. I did not know what that was. Then i realised that the money was transferred to a bank and there was such a thing as a bank card that you put in with your code. To me that was alien. So there was a lot to adapt and learn but it was great. I remember in the royal festival hall, meeting diana. I was the Principal Dancer at 18 already, i was the youngest and she came to see me in the nutcracker. And i did not know who she was. It was quite embarrassing. I remember it was a highlight for me. Did you talk about dance with her . She was very respectful, she was beautiful. We spoke a little bit about dance, a little bit about cuba and it was very brief. She said welcome because she was the main patron of the company at the time. And obviously he was there when it came to cuba to audition me at the age of 17 and he said i want that boy as a Principal Dancer for my company. He sadly he passed away but he was one of the most, you know, influential people. Thanks to him, you know, that he gave me that chance. And i think, you know, even having the success in london, he said what i started to choreograph and do my own shows . That could be a difference for me so i did. Once i did i said how about if i write my story and then after that i say what about if i write fiction, and i did, so i keep going and getting impossible goals. Needless to say, i am a workaholic. I have, i dont know, 20 projects on the go at the same time. That is how i like to keep myself busy. I want it all from life. I want everything. You retired from the classical stage a few years ago but you still dance and train every day . I dont train every day. I cant. As a director i am on zoom and it is hard. I was have to coach dancers but i do a lot of workouts which keeps me in shape and whenever i can i do contemporary dance which i still want to be on the stage. I want to be, you know, like the rolling stones, that they are still going. I want to be that. Really . Yeah. I love the stage. What can i say, john. I love the stage. You will not retire . At some point i will, i suppose, but i am going to extend it because it keeps me, keeps my muscles and it keeps me motivated and keeps the connection. In a way it is very unfortunate that by the time you are 41 you are now ready for a life, but you have a sense that it is gone. Musicians can go on to 80, but for us it is like, it is unfair. When you dance now is it difficult . Is it painful . It is painful but you can modify, because i am no longer romeo. I can say that is painful because i have my cartilage in my knee killing me, and we work around it. But the art is still there. And you are just trying to find a way to communicate that. Carlos, keep going. The mick jagger of dance. I like that. Carlos acosta, thank you very much for sharing your cultural life. For podcast episodes of this cultural life, go to bbc sounds or wherever you get your podcasts. Hello. Once again, its a rather unsettled looking Weather Picture for sunday. With low pressure so close by there will be quite a number of showers around. Some places will escape, but its difficult to say exactly where. The winds are a notch down compared with yesterday, but theres still a breeze out there. You can see theres tightly packed isobars and weve got another area of rain moving in later this evening and overnight. Closest to that low pressure across the north and west, so scotland and northern ireland, will see the most frequent showers. Some heavy with rumbles of thunder. Weve had a few sharp showers through the morning hours, perhaps fewer across wales and the south west this afternoon, but equally, one or two sharp ones could develop just about anywhere. Temperatures are similar to those of saturday, so feeling pleasant enough in the sunshine. It is all change, then, as we go through this evening and overnight. The showers give way to longer spells of rain for much of england and wales. Some quite heavy rain for wales and northern england, as you can see. With the high moisture content, the humidity is higher. A warm night. A Scattering Showers continues because weve got low pressure across scotland and northern ireland, but a little bit chillier here, or fresher, as we start monday. For monday, some good spells of sunshine across scotland and across northern ireland, but that rain fringes close by to the borders. It takes its time to clear out of the way. We may well brighten with a few showers rolling in across wales and the west of england later, but its uncertain how quickly that rain will clear from eastern areas and, actually, It Mightjust Brighten up in some places and so still 2a degrees. But, on the whole, a lot of cloud and rain on monday. That low pressure clears away into tuesday, although that low pressure is still close enough to our shores to give us a few slow moving showers. The winds ease off considerably on tuesday, so when the showers come along, heavy and thundery, but slow moving, so lasting quite some time. Some places will escape altogether and stay dry, but again, the devils in the detail when it comes to showers as to exactly where, but there will be some lengthy spells of sunshine around. Certainly so on wednesday and thursday because this High Pressure starts to build in. It will draw in some southerly winds, so we start to see the temperatures lifting once again. But low pressure is never too far away, so although our temperatures are lifting late week, we still run the risk of that next area of low pressure coming back in, bringing with it a spell of showers once again. Live from london. This is bbc news. 93 People Killed by wildfires in hawaii as officials warn of a � significant� rise in the death toll. When we find these, you know, ourfamily and ourfriends, the remains we are finding is through a fire that melted metal. The British Government is under renewed pressure to stop migrants crossing the sea in small boats after six people drowned in the channel. And well bring you all the latest from the pokemon World Championships in japan hello, im Anjana Gadgil we start in hawaii, where the governor is warning of a significant rise in the death toll following devastating wildfires on the island of maui. 93 people are now confirmed dead, as Recovery Crews continue to comb through the charred ruins of burnt out homes and businesses. The Historic Town of lahaina, the worst hit part of the island, has been razed almost entirely to the ground. Hundreds of people are still unaccounted for, days after the fires broke out. Many people forced to flee at a moments notice had to leave everything behind
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