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"Whenever we'd drop that bass riff, places would become unhi
"Whenever we'd drop that bass riff, places would become unhi
"Whenever we'd drop that bass riff, places would become unhinged": Listen to Tim Commerford's isolated bassline on Killing In The Name by Rage Against The Machine
The beginning of RATM best-known song is a sinister E plus octave of F
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