10 The title track of LFO‘s second album Advance (1996) kicks off the proceedings in style, with a slow-building but irresistible pulse over which panoramic, glistening arpeggios and rhythmically off-kilter bleeps contrast with dark, edgy drones. The perfect soundtrack to the quiet opening of a nature documentary, or a war movie. But this is just the calm before the storm. ‘Shut Down’ takes things up a pace with an energetic and thunderous romp, and ‘Loch Ness’ takes cues from both Baroque music, with its harpsichord-like opening synth stabs, and 80s synth-pop, with reverberating snare drums and soaring synth strings galore. What follows next is