(The article continues below - Commercial information) Using TV as his background, Piątek brings back the archive footage, and it's almost sad to see all that now, with kids building three-metre-tall igloos because they “want to achieve something extraordinary”, and so does everyone else on that day. In theory, at least, as – possible spoilers ahead – Prime Time is a story about a potentially revolutionary gesture running up against a wall of bureaucracy and other people's apathy, the extent of which Sebastian ( Bartosz Bielenia) is about to discover. A young man with the kind of baggage the debuting Piątek only lets you glimpse, he is desperate enough to hijack a TV studio in order to deliver his message live, without exactly stating what said message would be – in keeping with the film's insistence on not explaining a damn thing, ever. The fact that he takes two people, a well-known presenter and a security guard (