Review: Prime Time

(The article continues below - Commercial information)
Using TV as his background, Piątek brings back the archive footage, and it's almost sad to see all that now, with kids building three-metre-tall igloos because they “want to achieve something extraordinary”, and so does everyone else on that day. In theory, at least, as – possible spoilers ahead –
Prime Time is a story about a potentially revolutionary gesture running up against a wall of bureaucracy and other people's apathy, the extent of which Sebastian (
Bartosz Bielenia) is about to discover.
A young man with the kind of baggage the debuting Piątek only lets you glimpse, he is desperate enough to hijack a TV studio in order to deliver his message live, without exactly stating what said message would be – in keeping with the film's insistence on not explaining a damn thing, ever. The fact that he takes two people, a well-known presenter and a security guard (

Related Keywords

Poland , Polish , John Mcclane , Sebastian Bartosz Bielenia , Bartosz Bielenia , Film Institute , Krakow Festival Office , World Cinema Dramatic Competition , Prime Time , New Year , Polish Sundance , Magdalena Pop , Watchout Studio , Polish Film Institute , Krakow Festival , போல்யாஂட் , போலீஷ , ஜான் ம்க்கிலனே , படம் நிறுவனம் , க்ராக்வ் திருவிழா அலுவலகம் , உலகம் சினிமா வியத்தகு போட்டி , ப்ரைம் நேரம் , புதியது ஆண்டு , போலீஷ ஸந்‌ட்யாந்ஸ் , ம்யாக்டேலீந போப் , வாட்சவுட் ஸ்டுடியோ , போலீஷ படம் நிறுவனம் , க்ராக்வ் திருவிழா ,