Moscow. What are you experiencing right now . I know that you worked at masfilm during the evacuation, right . And you had a dream to visit this film studio in moscow. And it turns out that so many years later your dream has come true, and you are here on stage, celebrating the centenary with us . Well, first of all, i was from almaty when i was evacuated there. This is a film studio, here is a motsfilm, but i didnt even think about it, i later, but life forced me so that i had to get a job in a film studio, i worked there until i was called up to the army, we are great, young guys. Well , we completed the task that was set for us, to help release films as best as possible so that they happen, but we are focusing on you, because here we have a man who shot the film ivan the terrible together with sergei izenshtein, that is, he made a masterpiece , and then he took berlin, these are the people, thank you. I would like for you to join us now, yes, seryozha, thank you very much for the way you read these poems, because here is a film that is probably for each of us, well, for me this is the embodiment of a film made after the war, not about wartime, but reflecting the dignity that is in you and those people who went through these trials. And now i would like us all to sing such a heartfelt song, which resonates in every heart, together with you it will be a great honor for us to sing this song, here the birds dont sing, the trees dont. Grow, only we are shoulder to shoulder our shoulder is growing into the ground here, the planet is burning, the planet is spinning, there is smoke above our homeland. So we need one victory, one for all, we cannot stand with the valuable one, one for all. We cannot stand the hall, mortal fire awaits us, we are still powerless, doubt firmly enters the night, a separate, tenth of ours, airborne battalion, tenth of ours, airborne battalion. We wont stand for the price, one for all , we wont stand for the price, mortal fire awaits us, you are exhausted by bezselin, doubt and others go away, separate, tens of ours, we give desat, our tenth airborne battalion, otkutsk neorlan, the war has brought us down, to the very enemy gates, such bro things, someday we will remember this, and i will believe it ourselves, but now we need one, one for all we cannot stand behind the wall, one for all we cannot stand at the price, mortal fire awaits us, Everything Else in the spring goes into the night, separate, the tenth battalion. Our tenth airborne battalion, mortal fire awaits us, yet without any doubt, a separate landing force, airborne battalion, tenth floor, airborne battalion, goes away into the night. Thank you irochka, thank you seryozha, of course, thank you for singing that our victory came to us thanks to you, thank you very much, i know that you want to watch the concert from your seats in the hall, this is your holiday, and we will try here to make it interesting for you, thank you, these flowers are for you, and flowers, of course. Say special words about the place where we are now, this is the first mastfilm pavilion, it was built in the early thirties and is still considered one of the largest in europe. First. It is a holy place, of course, for everyone who works here. Several hundred people are usually involved in the filming here, literally creating whole worlds. Suffice it to recall the balls in two film adaptations of anna karenina, alexander zorkha and karen shakhnazarov, and of course, the film war and peace by sergei bondarchuk. It was here in the first pavilion that the famous scene of natasha rostovas first ball was filmed. And the person who took this score. Director of photography of the film war and peace, honored artist of russia, anatoly anatolyevich petritsky. I tried to come up with all sorts of ways to move the camera as much as possible, so i came up with the idea, ill get on roller skates, i rode on these rollers, he reached the crane and changed seats, it was such a find, it made an impression on bandarchuk too. All my life until i was 85 i remained in collaboration with mosvilm. Mosfil is my family, my homeland. Unfortunately, anatoly anatolyevich petritsky was unable to join us on stage today. I felt bad in the morning. But he is now watching our broadcast, and it seems to me that we should support him with our applause. Anatoly anatolyevich, dear, get better. Thank you for this world that you gave us, because i it seems that everyone who has seen natasha rostovas ball in their life definitely believes in this fairy tale, and young colleagues, well , for example, i can say that igor grinyakin, who filmed basketball in the film moving up, he took note, he also rollerskated in order to convey the movement of basketball players, that is, technique with technique, and. The great ideas of great people remain immortal forever. Thank you, anatoly anatolyevich. Yes, what waltzes sounded in the first pavilion of the mastfilm, they will sound now two of the most famous, the waltzer will be the wonderful actress who played anna pavlova in this pavilion, and we all also remember her waltz from the film my affectionate and tender beast, galina belyaeva. And her partner today will be. I walk around moscow, as one walks on a plank, what is a square, right to left is also a square, pushkin once lived here. Pushkin was friends with vyazimsky, he grieved, he lay in bed, saying that he had caught a cold. Who, i dont know who, but most likely no one. At the entrance. Family man sitting in a coat, residential house on arbat, in the house summer food, outside, wednesday turns into monday without any difficulty, my head is empty, like deserted places, i fly away somewhere, like a tree from a leaf. Well, you found out, maxim overin, solo on the flute, maxim rubtsov, a graduate of the tenth season of synepta, pianist vladimir rublev was at the piano, the winner played the violin , and our wonderful luka moramov of our season , how you played, well, liked it, yes, liked it. You like mass films, you watch movies, because i remember that you practice violin 8 hours a day, do you have time for a movie . Uh, i havent been watching a lot of films lately, more like cartoons, in general , i really like the films of the massfilm film studio, because there are a lot of interesting films there, i watched some kind of film, i dont remember, then i watched it. Uh, the main thing is that i forgot something , please excuse me, i am very grateful to you, and of course, dear galina belyaeva, our beauty, just denis, thank you, tick, every time i see you, it seems like i need to be named to contact you, but when i see you, there you are just galina, thank you. Thank you, luka, thank you volodya rublev in the mid fifties, a new era began in the life of our country, which changed everything, literature, painting, architecture, music, fashion, and of course, of course, cinema. For filmmakers, the thaw became a time of unprecedented creative freedom. They are creating a new artistic language and looking for new heroes. Well, the thaw is the most poetic time. It is no coincidence that one of the key episodes of the film zastava ilyech by marlena khutsyeva based on the script by gennady shpalikova, this is an evening of young poets at the polytechnic museum. It was khutsiev who came up with this poetic tradition, which passed from cinema into our lives. Gennady shpalikov, the poet who embodied the spirit of the thaw, wrote the script for another famous film that became a symbol of its time. The title of the film was the first line of the poem that just happened. It sounded, im Walking Around moscow, the first film by our great comedian, director, georgy nikolaevich daneli. My friend said that a persons life consists of fights and love. Love is love and fighting is work. And i devoted myself almost entirely to the fight. Many of whom i write about. No longer in this book , i often think whether we will see each other again or not, i really want to see each other, apologize, for some reason it seems to me that we will see each other again, that this life is not the beginning and not the end, it seems to me, the life of a stopover, i was traveling on a train, got off at the stop, and then you will go further, only while you are at the stop, you dont remember the previous journey and dont know what will happen next, and there on the train you will again meet those you want to meet, i lucky, i want to meet many. Sometimes everything in the world is good , whats going on right away you dont understand, but its just that the summer rain has passed, its normal, its been raining, a familiar face from. Cheerful eyes , the garden ring is shining in them, the garden ring is running in them, and the summer storm. And im walking, wandering around moscow, and i can still walk, the flooded pacific ocean, tunka and taika, ill spread a white sail over the boat, i dont know with whom yet, and if i then spin, ill eat under the snow and. Ill remember moscow, ill spread a white sail over the boat, i dont know with whom yet, and if im sad about the house, under im in the snow. Well, you can say, we have a premiere today, nikita galagrivy is in the first pavilion of the mustfilm for the first time, friends, im Walking Around moscow. The founders of this genre. Another master and georgy nikolaevich, of course, one of the lyrical comedy is, of course, eldar rezanov, he made our most favorite new years films, in which beautiful music and real poetry sound. And as you know. Often goes to other peoples houses, he has a tv, a master key, and loves to eat until he loses his mind, this is a bad habit, Eldar Aleksandrovich from fat people who are eager to lose weight, but in vain, and there is work for fools, ryazanov is a firstclass fool, in his declining years he took up poetry, i dont consider myself. The poet has some other sins, but its inconvenient to talk about it here, lets wait for the 150th anniversary of mass film and publish the rest of the sins with the holiday. The great, alexander shirventov. You deftly avoided shame, for how long i played the role without relying on a partner, i never resorted to your damned help, among the scenes, among the shadows, you disappeared, an unnoticed eye, but in this fucking delirium i walked before by the public. Cruel, everything is bad, everything is bad , everything is in this role, lonely, oh how you cackled on the ground, you did not forgive me for the obvious, the shamelessness and my losses, my smiles, harmlessness, and your herds greedily went to drink from my sadness, alone, alone in the midst of shame i stand with slumped shoulders, but the hero is truly a hero about the promiscuous crowd. Not visible, hero, like a fear on you, dont be afraid, i wont give you away, our whole role is mine, just a role, i lost in it cruelly, all our pain, my only pain, but how much . I like that you are not sick of me, but of me i like that its not you that im sick of. That the heavy globe of the earth will never float away under our feet, i like that you can be funny, loose and not play with words, and not blush at an annoying wave that slightly touches. With and sleeves, thank you with my heart and hand, for the fact that you love me so much without knowing me, for my peace at night, for the sparse tension with the sunset hours, for our not walking under the moon, for the sun not above our heads, i like it. I like it, i like it. Because you are sick, alas, not with me, because i am, alas, not in pain with you. You are alive, my old lady. Im alive too, hello to you, hello, let that evening unspoken light flow over your hut, write to me that you, melting anxiety, are sad and mistaken . About me, that you often walk on the road, in an oldfashioned branch shushun, and in the blue evening darkness, you often see the same thing, but. So someone stabbed me under the heart with a finnish knife in a kapatka fight. Its okay, dear, calm down, its just a painful delirium, its not such a rollercoaster, and im a drunkard, so as not to see you, ill die, im still like that but not. Wives only dream of returning to our low house as soon as possible out of snowblown melancholy. I will return when the branches spread out, in the spring. Sergey kayumovich, shakkurov, dima bilan and svetlana nemalyaeva, dear, how nice it is to see you, thank you, how beautiful you are, bravo, thank you, thank you, congratulate everyone. Nimalyaev, sound engineer and Nikolai Vladimirovich a wonderful cameraman, he is here in the hall now, low, low bow, you have an absolutely wonderful dynasty, and your son and granddaughter continues, so this is great massfilm dynasty. Its a strange thing, the viewer comes to us from the very thick of life, they know much more than us, in the specific sense, but we are not ashamed to show him sometimes this, oh, my god, we dont even believe in it ourselves, and perhaps the most precious thing is this that the artist is the one to whom he comes with his work, they say in their native language on equal terms, you dont just need to teach, you need to help, explore, you need to discover the beauty in life, go to people with it. And, of course, among the top three comedians of the soviet period, along with rezanov and danelia rightfully includes Leonid Gaidai. Another name that is associated with masfilm, it is generally accepted that gaidai is a master of eccentricity, the king of geg, but his humor contains many subtle hints of hidden meanings. In general, when he was filming his films, he almost never laughed or smiled, when the entire film crew was literally dying over the jokes. Kulina. Gaidai was extremely taciturn and spoke like this. A comedy film must have as few words as possible. And those that exist should be polished, laconic, striking. Right on target, of course everything is exactly as it is, and every word becomes a catchphrase, and one cannot help but say about his collaboration with composer alexander zatsepin, patriarch, legend of our film music, peoples artist of russia, because it was from his films of Leonid Gaidai that our most popular songs came. Prozaitsev. In the dark blue forest, where the trees tremble, where the leaves fly from the oak trees of the sorcerers, the grass in the clearing, hares were mowed down at midnight, and at the same time they sang strange words, we dont care, we dont care. For a long time, even if we are afraid of the wolf and the owl, we have the most terrible hour, we are mowing the magic grass, and the oak trees are sorcerers, something whispers in the fog, near the filthy swamps, someones shadows are rising, hares are mowing the grass. Tryn have grass in the clearing and out of fear they sing a song faster and faster, we dont care, we dont care, let us be afraid, the wolf and saul, we have a body, the most terrible hour, we are in the magic. Cocentra grass, thats all for us anyway, we dont care, we firmly believe in the ancient mala, the crab will be the one who three times a year, the most terrible hour, the host rubs the grass, we dont care, we dont care, we will become braver and more important than you, because well get tired at least once, we zhurki will often admit all misfortunes to us, we dont care, we dont care, we firmly believe in the ancient mala, it will become a crab. The one who three times a year, the most terrible hour, we go to the trend , we dont care, we dont care, let us be afraid, we are the wolf and the owl, we will have the most zhu, we are in magic, well grab the grass, sai che ti amo , sempre amo, donna della mare, credere, cantare, dammi il momento che mi piace, this fisherman who sailed from naples into the stormy sea, and his. Che mi piace più oh uno uno un momento 1 1 1 and the famous song from the film by mark zakharov, the formula of love, its very nice to see alexandra markovna zakharova, your immortal, yes dialogue, she will not come alone, she will come with a blacksmith, thank you, thank you, im very glad to see you here, theatrical convention and theatrical language have arrived in cinema, vivid examples, aibalit 66, romances in love. And of course, of course, the films of mark anatolvich zakharov are films of parables, films of metaphors. Mark anatolyevich himself said that his wizard was an ordinary miracle. What is a directors epiphany . A mezzanine that amazes us with its extravagance. At the same time, with truth , logic and simplicity, i understood what your problem is, you are too serious, a serious face, not yet a sign of intelligence, gentlemen, all the stupid things on earth are done with this very expression on your face, you smile, gentlemen, smile. Anton shagin, blue bird graduate sergei shumilo, i dont deny myself anything. I wanted a premiere, and i got it. Sklefosovsky. New episodes. From monday. Intention please, introduction and roll call, without formation, i am very glad that you came to visit me, how much tea was drunk, how many stories were told, i was bold in a white tuxedo, and i begin, markolievich zakharov leaves in a heap, and for me it was probably akin to the appearance of christ to the people, how many secrets were told. I, as a man , am a hunter of women, i like to attack , dad imagined that i would have a completely different husband, and how much is still ahead, i foresaw my fate, now everything is only coming true, i surrender everything with joy, lets all wave our hands when everyone is at home with timur kizikov, on sunday on rtr, tell me, soninlaw, have you ever been jealous of my daughter . No. Lets look at the weekend. Angel, for what deeds of mine were you sent to me . You are not just a beautiful woman. You are absolutely amazing. You love her, she, she is with my father, shes having an affair. For some, beauty is a ticket to a happy life, you will definitely like it, for others it is a test of fidelity, why are you silent, what should i say, well, something, shout, hit, i dont know when your husband is having an affair, where he takes his chosen ones, his wife is too beautiful, on saturday we have a very appetizing program, because we sing and talk about food, as a child we made lollipops with my brother, i remember, just in a frying pan, these are molds, bears, pinocchio, aperedinya, a wonderful atmosphere, thats all. Hello andrey, andrey malakhovs evening show on saturday on rtr, he says shows the first pavilion of mostfilm, live on the rossiya tv channel, an evening dedicated to the centenary of his favorite film studio, the first 100 years, friends, cinema. Cinema became musical from the very beginning, being still not wash, we will remember the art of toppers, and today the soundtrack to a film is the result of the collective work of composers, musicians, arrangers, and sound engineers. For many outstanding composers of the 20th century, it was film music that became the territory of creative freedom, this was admitted, for example, by the author of music for films by nikita mikhalkov, Andrei Konchalovsky and, of course, andrei. Eduard nikolaevich artemyev. Cinema gave me complete independence. Cinema was a separate art where everything was possible, because cinema is based on technology and everything that was new in technology was right there, electronic music was here rock music appeared there, and cinema immediately appeared there, because it was kind of independent. Such a continent. Blue bird 2016 finalist ilya snevredinov, well, this melody helps us remember another favorite name, which is also associated with masfilm,