This is the desire for tradition, it s essentially going back to childhood again, because my grandmother, who taught me to knit, she was born in 1906, songs, these songs, theyve kind of stuck with me for the rest of my life into my soul, sometimes i was little and fell asleep to them, then in samara a center appeared behind this song, the Samara Center of russian traditional culture, and i. Came there, probably at that moment i became a real samora resident. Natalya khairulina was born in talatta, into a large friendly family. The girl was only 5 years old when her mother first gave her a needle and showed her how to sew. Little natasha cut up a bunch of her mothers and grandmothers scarves, trying to sew a dress for the dolls. I had this cutting method, i applied the doll to it, cut the doll one by one, of course, the costume didnt. Well, you can do that, if were talking very roughly, this is the first sewing machine, in fact, it works according to this principle third hands , so that the seam is as even as possible, they attach the fabric and sew , they sit on this, this on the bench, they sit here, they attach the fabric here, they pull it by hand and whoever is comfortable begins to sew, this is how sewing works, here it is collapsible, then eat it, then you can fold it, put it away, and the first , lets say, ironing device for smoothing the canvas, its this kind of roller, the fabric was wound on it, put on the table like this, rolled, straightened the canvas, thats when i was already in school, and we sewed there, i really liked doing needlework at school, in fact i always dreamed of sewing well, but as often happens. These neat stitches, i dont know, its like butterflies are starting to fly inside me, i want it exactly like that how about repeating this, a womens russian costume from the samara province, a sundress complex with a round sundress, a shirt with polkas, polkis are shoulder inserts, this is the most common cut in our samara region, the next suit is a couple in blue, it consists of a jacket skirt, scarf tied with knitted crochet lace, this suit. Was a wedding suit, in which the girl got married. The next suit is a sundress with a bodice; we tried it for a fairly short time and was a transitional element from a round sundress to a dress with sleeves. Here it consists of a shirt, a sundress and an apron, and of course, a gourmet. Here in the samara region , gourmet pockets were very fond of, they were, as a rule, on the apron, not under the apron, because. There are, well, places where they dont like to show this pocket, they sort of hide it under an apron, but here we tried, first of all, to make it beautiful and wear it on top. Well, how could we not have a tasty treat; someone could have put a toy or candy or paper money in it, so that everyone could see the corner sticking out. The russians embroidered dainties with threads, the chuvash decorated them with beads and rhinestones, the mardva made them from scraps, some with corners, some with ribbons, everything was decorated. Even they tried to decorate the ends of the apron, the apron was preserved in a suit for a very long time, these little windows, they were quite common in a womans suit, its like that multilayered, well, very often they were decorated with velvet ribbon, bindweed, some kind of piping, this lower fabric was always lined, this is the lining, in fact, it. Changed the main fabric, the upper one from wear, just these folds, they were laid and secured with bread, when the bread was baked, loaves of bread were placed on these folds, thus secured. The mens suit was not as varied as the womens suit, it mainly consisted of trousers, ports, with such a wide stride, because you had to get on the horse. This is to download, a mens suit, of course, consisted of a shirt , here is a mens shirt with a yoke, and along the yoke there are folds, bow pleats, a very common pattern was this one with stars in black thread, thats all the shirt is ports, almost the entire suit, of course a belt, where without a belt, without a belt, you wouldnt leave the house at all, well, using the example of a suit. From a movie in the cherkassy region, samara province, lets look at the multilayered nature of this suit. An underskirt was worn over this shirt; skirts were worn over the head to make one happy when i was married, my grandmothers used to swear when they put on the underskirt of the coasters over my legs. An overskirt is put on this underskirt, like this homespun, striped , oneyard skirt, they pulled off this lace and placed it at the waist, and here. There were fewer pleats, there were more folds in the back, this gave volume to the figure. Here is this hole , it was then covered with an apron, on top there is this jacket, it is from the beginning of the 20th century, it is, of course, already sewn in fashion, lets say , and the corners are slightly rounded, so the sleeve is already sewn in , not like a shirt, and here it appears how since. We have a belt, we werent afraid of volumes, on the contrary, a girl who has these volumes was considered the most beautiful, and of course, where would we be without a scarf, in general, a scarf is a decoration for a costume, almost ready, thats it, you can go out , many of natalia khairulinas folk costumes were made from irina korshunovas fabric, when our folk costume craftswoman made a replica of a costume, this is this, this is whats in the museum, and what natasha sewed is this fabric for a skirt , i weaved, and in order to weave this fabric, i i made samples to get the expected result, for example, i wove it, natasha also made a replica of saratov costumes, this outfit is a northern suit, this is this fabric, this is a sundress shirt, this is all, this is all the fabric, this is all woven by me, master irina korshunova. Only for the last 10 years has she confidently called herself a weaver. Irina was born and lived for 40 years in sektavkar, only 15 years ago she moved to the samara region, visited samara museums and wanted a weaving loom, her wish came true completely by accident. And just my girlfriends are rejuvenated, so i say, i want a weaving loom. She said to me but i have it, i immediately bought this machine, brought it with me and started mastering it, well, in general. this is where my weaving began, now i am a weaving master in the samara region, i have mastered many types of weaving, and i am constantly moving towards development as a weaver, such a piece of a woven path costs nothing, you can throw it away and forget it, but as soon as it reminds you of a distant childhood, loved ones who have not been with you for a long time, this. Piece becomes priceless for you, well, at our house, when i was a child, there was a very long path, then somehow we did some renovations there. And the path just disappeared, then i asked my mother, i said mom, where did we get the path from, who is it . Or aunt, says mine, or grandmother . I made a replica of this track, this fragment, well, it looks like a twig, right . And my dad explained to me how its made, how the fabric for the weft is prepared, to weave this fragment, ill just show you how my dad showed, and this is such a very, very , very beautiful element, i would say, it greatly decorates the path, and of course it was interesting. I dont remember the conversation, but what he told me really stuck in my soul, because it was unusual, you can already see that the twig, yes, when we weave the fabric, we will also lay a red or white stripe between them and it will work out twig, here is the same twig that i showed you on the path, and what else is interesting to me, here is vologdas dad, yes, and mom is from komi, there is only one Child Support they did the same thing, which means i was destined to take up weaving after all, to immerse myself in this process. And to continue, i want to show you one more suit, this is an oryol suit , these are the sleeves, so i weaved, then sewed everything by hand, i have a special pride in this curtain, curtain or local name curtain, in general, i always seemed to calmly relate to aprons, but when i was weaving, i cant even explain, Something Like this was happening, some kind of process was happening in my soul, so important and pleasant. U in my hands is a headband that the girls wore before the wedding, they showed off in it, you see, its a feat, its made of chopped beads, here is an imitation of gold brocade, the fabric used to be very valued and cherished, they used every little caress, its stitched at the back, very beautiful, yes, and they tied the ribbons, can i tie them for you, on the girls head and it turned out very. To try to copy the old times, to make at least some semblance. Irina fillatova was interested in antique objects from early childhood. The girl loved to spend the summer with her greatgrandmother in the village, she liked the old house, and like a greatgrandmother on a Spinning Wheel she will come. Already as a student, irina went on an expedition to villages, to old people, the same grandparents, where they talked about their lives, took their costumes out of their chests, and sang. This means such a lace, just called underwear, on which either beads or pearls are sewn, in such even rows, it is laid out in a pattern, not everyone could afford it, but still, most of the girls tried to dress up beautifully, and then to meet your future life, future her groom, in order for the outfit to be truly complete, there were decorations, and what people could also do with their own hands, such manistas, but. This is already connected with our multinational samara region, yes, with the fact that there are many peoples live with us, this is, for example , the manista, a made copy of the chuvash people, this is how it was already attached to strings, and of course, there were before, these are ancient silver coins, here, for example, the tatar manista, yes, you see how it is too rings, imitation coral, coins, homespun, and here too, as you see, yes, here are different people. They definitely used coins , by the way, ill take it out of the box for you now , ill show you, this is a southern russian version , when such wonderful glass beads were used, here are real silver coins, here i have an unfinished thing, but i really like it road, this is a bashshkir bib, here i tried to use ancient coins as much as possible, and ancient pendants, from this bib you can understand where a person is from. What region he is from and of course it was a protection for women and a talisman of beauty, by the way, here, too, here is such a small, one might say, necklace, but this is no longer a monista with coins and. With cowrie shells , both the chuvash and other peoples could wear this, well, wedding headdress, when the wedding was already taking place, this is a wax wreath, it was called flowers, flowers, not flowers, but flowers, here in my hands, this is a replica of the crown found in the samara region, i even tried to convey the color, that is, they not bright white, with a greenish tint, maybe they were tinted there, for a very long time i tried to find that. Technology, as they did there by twisting cotton wool onto a wire, dipping it several times in wax, then after the wedding they were already put into the frame of the icon and also served as such a talisman, also a rare thing , a girls braid is a very important element, in general a beautiful braid, beautiful hair, this is both health and, well, the girls pride, and of course the braids were decorated, that is, they were tied to the braid with ribbons, you see here in the form of a triangle. Done, here inside sewn on beads and sequins, but they used to be metal, buttons and ribbons, they are depicted here in the form of flowers, this is bochrome, our traditional russian, it doesnt matter whether its chuvash, mordovian, yes, bashkir art, real traditional, its not just cardboard with rhinestones or some modern synthetic fabrics, you know, this is a noble homespun, which, yes , every thread was. Woven, yes, spun before it, uh, and, well, that is, its so many hands in the warmth stores homespun, and we we will be proud that this is truly part of our culture. I have such a wonderful scarf with a cube heel; making a pattern as a reserve is a real ancient technique. Once upon a time, craftswomen loved and valued heeled cloth very much, because it took a long time to embroider; heeled cloth could quickly decorate the fabric. The young master pavel osipov is in love with his craft and is proud of what he has achieved. He revived the ancient methods of printing and dyeing. Everyone who in samara or the samara region is engaged in sewing or restoring folk costumes knows this talented master. We want to get a cubic city, we begin to illuminate it further with boards and various colors. Contour, main, background, and , if necessary, drive in little blue leaves in order to create a reserve, which we just fill with a board in order to retain the dye on the surface of the drawing when painting in a cube, so we have a special composition called, that is, it is a mixture of vegetable glues, resins, various chemical compounds, and the cube heel is called because the coloring occurs in an indigo cube, the dye solution is called a cube, regardless of what container it is in, its just that for us the indigo cube is the most common, we have a peasant environment, it dyed all the sundresses, shirts, ports, they were blue cubes , we took the stuffed shred and lowered it into an indigo cube for dyeing, well, now we need to hold it a little so that it turns a little blue, and we can do it again to make it even more intense, a bluer color, but here, in principle, a strong coupe, but in principle, this takes about 1520 minutes to do each approach and withstand the same amount. Also, the first drawing is painted , dried, and then the remaining parts are hammered in with the same reserve, so that, as if when drying , a blue one still forms on top of the white drawing, this effect shows how the reserve protects the filled parts of the drawing from the dye, that is, there , where now we have a white drawing, and it will remain so white after dyeing, it is also worth noting that the paints that are used in the manufacture of vat fabrics, they are very durable and the fabrics wears out much faster than the paint wears out, here is the example of this scarf, that is, the colors are still rich, but the fabric has already weakened and is falling apart, holes, losses, to find out whether the scarf was made by hand or not, you should Pay Attention to the report by bringing the corners together, often by bringing the corners together, you can immediately understand that the scarf is made, here is the corner. The corner is immediately clear that they are different, since there is a butt part of the border, from the mow, this was done by taking a sheet of paper and applying it. And the board was knocked off, and so all the colors made their way past such a piece of fabric and not a very cheerful color, we would have passed without even noticing it, but when you know the master who wove it, the master who made the patterns, the master who painted it exactly blue, and even and the craftsman who will sew a beautiful folk costume from this fabric, then. You understand with the warmth of how many hands this fabric is warmed, you begin to peer into it, examine the patterns, i really love working with ethnographic material, for example, this wonderful kosoklinnik we have, this joint our activities with pavel osipov, a printmaker who is our specialist in dyeing fabric, up here we have hand dyed linen wallpaper that is so wonderful. Sundress, this is fabric dyeing , handmade cube fabric, this is his work, for example , i have it done here, that is, here is a handprinted heel, uh, a person we have is very famous in the region, handkerchiefs, here i have we wear everything with pleasure, it seems to me that all our ensembles have already dressed up like this with printed handkerchiefs, thats all that concerns the printed print, tatyana deis was born and raised in the north of the samara region, in the village of. Sukhodol, all the women in her family were needlewomen, and the love of sewing, embroidery, and antiquity was passed on to her, as they say, at the genetic level. The first, probably, was an interest in folk costume, a look from inside the costume, the cut of the costume, i was very interested in how such comfortable things were made from squares and triangles, my interest was combined with the look of the seamstresses, i looked at how they did it, with what love they did it , what. Energy comes from these suits, i couldnt stop here, and i i really liked the story of one woman, when she began to describe to us the sundress, her grandmother and whom they had in their youth there before the war, she says i have three frills, i say, wait, we are talking about a russian sundress , she says, and the chuvash lived next to us, they had frills, but we, without frills or something, we also sewed three frills, mordovians, chuvash, russians, tatars. Enriched and diversified each others costumes. Our samara, we have a region of migrants, in every village we have migrants who could live, one end of the tula is like, for example, my parents, the other end is kuban. We have several headdresses in the allabin museum, im wearing the same warrior, so i also imagine it as samara. In our funds it is sewn from homespun fabric, so nondescript, so whitish, we make it bright. It is very convenient, practical, it is very popular with us, because the scarf is very beautiful on the head, the stuffing of this roller could have been combed flax or they used a willow twig, it was tucked in, then it dried and the base turned out to be hard like this, for this doll, this is my homeland, sergievsky district, my greatgrandmothers wore such sweaters, i already showed you such a skirt, i also want to show you that this. Doll has a hairstyle yes, this is how my grandmother tied her braids and beads, so i also want to turn wooden beads, they are not by chance, according to the stories of one resident, she said that because there was such poverty, because there was nothing, she says we collected wild cherries, they have a large pit, and dried them they were painted, drilled, and from these they were made into beads, well, raisins, some kind of memories, raisins, from which our history is made up. More than 157 nationalities live in the samara territory, it is the spirit of freedom, friendly neighborly communication that helps not to compete, but to enrich each other, and this is great. More minerals with pleasure, vitenka, with pleasure, oh, i always say that everyone would be a motherinlaw before such a soninlaw. How lucky is my nadia after all . Well, whos hotter . Yes, with a crust, just as vitya likes it. And definitely mushrooms, mushrooms, these here, nadyusha, dont regret anything, when did i regret anything, hold it . Thank you, and potatoes, i hope our girl is generally wasteful, there was pickle, a wonderful pickle, i took it into the toilet, i saw it, and there was also half a pan , well vitenka, ill cook you a new one, i dont like yesterdays, its immediately obvious nadyuzhka that you i didnt live in times of famine, oh, everything looks so delicious, but you dont eat meat, i dont know, you dont want to, and you became a vegetarian here, no, but its just better to have something light for dinner, thats right, nadyusha is gaining weight very quickly, we need to watch, exactly, exactly, exactly, oh, i forgot, i have some aspic on the balcony, ill bring it now, sit, s