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COVID-19 Memorial: Enduring Loss

COVID-19 Memorial: Enduring Loss
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Milford Graves, singular drummer and polymath, dies at 79

Milford Graves, singular drummer and polymath, dies at 79 by Giovanni Russonello (NYT NEWS SERVICE) .- By the time Milford Graves took up the jazz drum kit, in his early 20s, he had spent years playing timbales in Afro-Latin groups. But on the kit he was confronted with the new challenge of using foot pedals as well as his hands. Rather than learn the standard jazz technique, he drew from what he already knew. In the Latin ensembles, wed be doing dance movements while we were playing, he remembered in a 2018 profile in The New York Times. So I said: Thats all Ill do. Im going to start dancing down below. I started dancing on the high-hat.

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Milford Graves: the pioneering drummer whose naturalistic rhythms freed up jazz

‘Reaching for inspiration back into the music’s deepest origins’ . Milford Graves. Photograph: PR Image Sun 14 Feb 2021 07.32 EST Last modified on Tue 16 Feb 2021 07.53 EST Of all the freedoms opened up by the free-jazz revolution of the 1960s, none was more radical or, to many, disturbing than the freeing of rhythm from fixed points of bar lines and regular time signatures. The American drummer Milford Graves, who has died aged 79, was in the forefront of that move to create momentum through surges of energy that seemed to reflect the social and political passions driving what became known simply as the new music.

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How Milford Graves Reawakened the Spirit of the Drum

How Milford Graves Reawakened the Spirit of the Drum How Milford Graves Reawakened the Spirit of the Drum Late percussionist s radical approach galvanized everyone from Lou Reed to Albert Ayler, and built a bridge between music and the healing arts Hank Shteamer, provided by FacebookTwitterEmail In September of 2008, an unusual performance took place at downtown New York club Le Poisson Rouge. At stage right, opposite fellow six-string adventurer Marc Ribot, sat Lou Reed, conjuring clouds of free-rock energy from his guitar. Behind them, avant-garde mainstay John Zorn sent forth piercing, impassioned blasts of alto sax. And at the center of it all, churning with the fury of a whirlpool and dancing across his hand-painted drum kit with the control and flair of a flamenco master, was Milford Graves the percussionist, healer, and interdisciplinary seeker who Zorn had once called “basically a 20th-century shaman,” and who died on Friday at 79 after a battle with amyloid cardi

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