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Sun-seekers at an abandoned forced labour camp: Rafał Milach s best photograph | Art and design
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Concrete instrument by Taryn Simon and OMA installed at Mass MoCA
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Ex-Sotheby s Rainmakers Battle It Out With New Firms, Tastemaking Gallery Cuts a Chunk of Its Roster, & More Juicy Art-World Gossip
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Languages of Truth by Salman Rushdie, review: Forgettable collection that lacks any sense of cohesion
The i 2 hrs ago Obi Jilani
A compilation of essays, reviews and speeches written by Salman Rushdie between 2003 and 2020,
Languages of Truth spans the period from the US-led invasion of Iraq to the beginning of the Covid-19 pandemic.
In the 21st century, Rushdie believes, writers cannot help but engage with such epochal events in their work because: “The gap between what is private and what is public has diminished to the point at which one can almost say it has ceased to exist.”
In recent years, Rushdie has been a voluble critic of the Trump presidency and Brexit. Like many liberal boomer intellectuals, however, he also thinks political correctness has imperilled free speech and dislikes the term “Islamophobia” because it lets off Islamists – a topic he feels qualified to talk about after the Ayatollah Khomeini of Iran issued a fatwa against him
At age fourteen,
Stephen Shore had his work purchased by Edward Steichen for the Museum of Modern Art, New York. At seventeen, Shore was a regular at Andy Warhol’s Factory, producing an important photographic document of the scene, and in 1971, at the age of twenty-three, he became the first living photographer since Alfred Stieglitz forty years earlier to have a solo show at the Metropolitan Museum of Art. He has had numerous one-man shows, including those at the Museum of Modern Art, New York; George Eastman House, Rochester; Kunsthalle Düsseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. He has received two NEA grants and a Guggenheim Foundation grant. Since 1982 he has been director of the photography program at Bard College, Annandale-on-Hudson, New York, where he is the Susan Weber Professor in the Arts.