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Studio Visit: Textile Artist Sagarika Sundaram on Working in Silence and Seeking Out Felts From Around the Globe

Sagarika Sundaram in front of her work Oracle (2020). Photo courtesy the artist. A first impulse when viewing textile artist Sagarika Sundaram’s works is to want to get close to them, to put your hands all over their varied textures comprised of natural fibers sourced from small farms and growers around the world, including India, Uruguay, and New Zealand. You want to envelop yourself in their thick, tactile fabrics; to disappear into a kind of cocoon. Sundaram is used to inspiring such reactions. In fact, she says, she likes working on pieces that allow viewers a little quiet space, letting them experience the quality of silence you find when swathed in different kinds of materials.

Plans to form BJP government in Nepal and Sri Lanka, demand for removal of Biplab intensifies after this statement | नेपाल और श्रीलंका तक में बीजेपी सरकार बनाने की योजना, इस बयान के बाद बिप्लब को हटाने की मांग तेज

Plans to form BJP government in Nepal and Sri Lanka, demand for removal of Biplab intensifies after this statement | नेपाल और श्रीलंका तक में बीजेपी सरकार बनाने की योजना, इस बयान के बाद बिप्लब को हटाने की मांग तेज
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Poisoning minds - Newspaper

Interview: Yashaswini Chandra on what the horse tells us about India s past

Interview: Yashaswini Chandra on what the horse tells us about India s past The author of ‘The Tale of the Horse: A History of India on Horseback’ on the animal’s influence over mythology and the medieval economy. Detail of Battle of Haldighati , painted in 1822, showing Rana Pratap on his horse Chetak | Wikimedia Commons Yashaswini Chandra has a PhD in the history of art from SOAS, where she was also a teaching fellow, and formerly worked with Sahapedia, an open online resource on the arts, cultures and histories of India. In her first book, The Tale of the Horse: A History of India on Horseback, Chandra reminds us of how central horses were to polities, economies and ruling classes, both ancient and medieval, before the mechanisation of the modern world changed everything.

Dissent and Our Search for Be-gam Pura , the City Without Sorrows

Dissent and Our Search for Be-gam Pura , the City Without Sorrows Romila Thapar s Voices of Dissent bring out how the idea of dissent has always been embedded in Indian society. Farmers protest against the new farm laws at Singhu border near Delhi, India, December 4, 2020. Photo: Reuters/Anushree Fadnavis In his seminal work The Historian’s Craft, French historian Marc Bloch wrote that the very names we use to describe ancient ideas or vanished forms of social organisation would be quite meaningless if we had not known living men. Knowing well the living men of present-day India shouldn’t make us think twice about why historian Romila Thapar penned her current book,

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