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Wasn t afraid to have fun. i got a great idea. when you get home from school, we re going to have a party. over the influence is about a man and woman in a loving marriage that s beset by the woman s personality. you think there s something wrong with me or something? that i m whacko or something? she has this energy about her, but you slowly see it unraveling. it s kind of devastating. but, wow, what a performance. it was really refreshing to see a movie that put a woman directly at the center. thank you for everything. this was right at the beginning of the women s movement, and i found the script for alice. the studio said who do you want to direct it. francis coppola said you should talk to the studio about hiring him. so i asked to meet marty, and i said i want to tell this story from a woman s point of view, and i can t tell from watching this film if you know anything about women. do you? and he said, no, but i d like to ....
Learn. i was trying to deal with it just as a person, and i had ellen as a guide. boy, you really need someone to talk to, don t you? alice doesn t live here anymore, it was a revelation for me, because there had been no films about single moms. how long do you think we ll have to stay in this hellhole? she s not only got all this heart, but she s funny, and she s strong. would you mind to turn around for me? turn around for you, why? i want to look at you. well, look at my face. i don t sing with my ass. i felt like that was one of the early films that took the veil off of it. and people are messy and complicated and you can still love them. 70s cinema had an interest in reality, and you saw actresses who had completely believable character to them ....
We re going to have a party. it s about a man and a woman in a loving marriage that s beset by the woman s personality. you think there s something wrong with me or something? she had this energy about her, but you slowly see it unraveling. it s kind of devastating. but, wow, what a performance. it was really refreshing to see a movie that put a woman directly at the center. thank you for everything. this was right at the beginning of the woman s movement and i found the script for alice. the studio said who do you want to direct it? to make this film main street you should talk to the studio about hiring him. so i asked to meet marty, and i said i want to tell this story from a woman s point of view. ....
And i can t tell from watching this film if you know anything about women, do you? and he said no, but i d like to learn. i was trying to deal with it just as a person, and i had no one as a guide. boy, you really need someone to talk to. alice doesn t live anymore, it was a revelation for me because there had been no films about single moms. how long you think we ll have to stay in this hell hole? she not only has all this heart but she s funny and she s strong. would you mine if you turn around for me? turn around why? i want to look at you. i felt the early films took the vail off it and people are messy and complicated and you could still love them. 70s cinema had an interest in reality. you started to have actresses ....
About women. do you? he said no, but i would like to learn. i was trying to deal with it just as a person. and i had ellen as a guide. boy, you really need someone to talk to, don t you? alice doesn t live here anymore. it was a revelation for me because there had been no films about single moms. how long do you think we ll have to stay in this hell hole? she s not only got all this heart, but she s funny and strong. would you mind the turn around for me? turn around? why? why can t you? well, look at my face, i don t sing with my ass. i felt like that was one of my early films that take the veil off it. people are messy and complicated and you can still love them. 70s cinema had an interest in reality. you started to have actresses who had a completely believable quality to them. ....