India's Oscar Entry 'Jallikattu': About Seething Brutality of Everyday Life
Uma Mahadevan Dasgupta During a period of COVID-induced self-isolation this year, I watched Malayalam movies. They were like a balm. The backwaters are beautiful; the people are engagingly real. The stories are intensely local, set on the blurred boundaries between rural and urban that is so peculiar to Kerala. These are ensemble stories, perhaps because Kerala is in some ways more egalitarian than many other places; also because that’s how communities live. There are awkward brothers, inquisitive grandmothers, and a teenager who plays football, cooks dinner and yearns for his mum. I love t...