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Blue Parrot takes the UK's first delivery of Ayrton Perseo Beam - Vimarsana News

Blue Parrot takes the UK's first delivery of Ayrton Perseo Beam

UK – Edinburgh-based production services and dry hire company, Blue Parrot, has become the first company in the UK to take stock of one of Ayrton’s

Source: etnow.com
Scotland's Quay Light invests in Astera - Vimarsana News

Scotland's Quay Light invests in Astera

The online home of Light & Sound International - the entertainment technology monthly. Daily News, Video Hub, Events Listings, Marketplace, Recruitment.

"Your skills and experiences can grow with it": Download Festival rocks with grandMA3 - Vimarsana News

"Your skills and experiences can grow with it": Download Festival rocks with grandMA3

UK – A full grandMA3 system was specified for Main Stage house lighting control system at the UK’s “Download the Pilot” event, a specia

Source: etnow.com
RSC's Dream becomes virtual with grandMA3 - Vimarsana News

RSC's Dream becomes virtual with grandMA3

RSC’s Dream becomes virtual with grandMA3 Friday, 30 April 2021 UK - Dream is a multi-layered mix of movement, music, visuals, cool technology and narrative magic, an immersive digital performance fusing the drama of Shakespeare with the dynamic worlds of gaming and theatre in a production by the UK’s Royal Shakespeare Company in collaboration with Manchester International Festival, Marshmallow Laser Feast, and the Philharmonia Orchestra (read a full production report in the upcoming issue of Lsi, out early May). Staged physically in the Studio at Portsmouth Guildhall and inspired by ...

Ayrton Diablo turns again for Dick Whittington at the National Theatre - Vimarsana News

Ayrton Diablo turns again for Dick Whittington at the National Theatre

Ayrton Diablo turns again for Dick Whittington at the National Theatre UK – When the COVID-19 pandemic forced UK theatres to close in December 2020, the National Theatre’s pantomime, Dick Whittington, at the Olivier Theatre had only previewed four times. The performance on the 15 December was filmed and shared on YouTube over the Christmas holiday period with the National Theatre looking to reach as wide an audience as possible despite the closure. “It was a stunning production and great fun to work on, but a shame people couldn’t experience that magic first hand,” says its multipl...

Source: etnow.com