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Express News Service The pandemic has drummed in us a real, running dread of death and isolation. While the former ends memories for good, the latter unboxes in your head even those memories you wish you didn’t have to acknowledge. What if those dreaded experiences could be turned into insightful, meditative discourses? This seed of an idea may well have been the trigger for Solos’ creator David Weil, who has also written and directed a couple of its episodes in this anthology. Going by the chronological order of its episodes, Solos feels almost like a metaphor for life. It has a sprightly start, becomes energetic along the way, goes through a dip, leaves us puzzled for a while and when it halts, finally, all events start to make sense. All the episodes of Solos could have easily been turned into theatre plays, as they majorly centre on a single performer and a contained location. The setting, however, is futuristic, and the location, picturesque as it mostly is, justifies the decision to turn this content into OTT content. The strong technical crew also ensures that when you see ambitious visuals, like, say, a spaceship wandering across the moon or a time traveller interacting with her future self, you buy these ideas without doubt.