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Everything was doom and gloom and thatcher. and the paintings were becoming more and more like an object in space. an image of an object in space and so, being rather slow coming from suffolk, i realised i should be making the things rather than making them. and quite often, i could be working on a painting for quite a while and realised it was a sculpture and realised it was a sculpture and vice—versa. things are very funny. and vice-versa. things are very funn . �* , ., and vice-versa. things are very funn . �* y., and vice-versa. things are very funn . �* ., ., and vice-versa. thing...

Which are the ice caps melting and then the ice caps melting, which are still going on, led to the animals, and what we're doing to animals. are these two works behind you, are they part of that sequence? yes, yes. i don't know if they're finished yet, but they're part of the ice cap melting. yeah, yeah. we are destroying everything, aren't we? do you really... ? do you feel it that bad? yes, i feel it. i feel it in my bones. and so, when you called part of the series the edge, you feel that we are how close to that edge? well, maybe not in my lifetime, but, i mean, are your grandchildren�*s...

Hardtalk.- let me ask you hardtalk. hello. let me ask you about this location. _ hardtalk. hello. let me ask you about this location. many - about this location. many people around the world would associate you with central london, a bohemian side of the city but in recent years you have been doing your work in the middle of the suffolk countryside. has it changed the way you work and what you do? not at all. way you work and what you do? not at all-— not at all. even though the atmosphere _ not at all. even though the atmosphere is _ not at all. even though the atmosphere is so _ not at all...

Finished yet, but they're part of the ice cap melting. yeah, yeah. we are destroying everything, aren't we? do you really... ? do you feel it that bad? yes, i feel it. i feel it in my bones. and so when you called part of the series the edge, you feel that we are how close to that edge? well, maybe not in my lifetime, but, i mean, are your grandchildren�*s grandchildren ever going to see a tiger? i mean, and the rest of it. er, we are doing our best to make a hash of everything, it seems. let me take you back a little bit. you grew up in suffolk, so in a sense, you've come home. yeah. you're...

Maggi hambling, welcome to hardtalk. hello. let me ask you about this location. many people around the world will associate you with soho, central london, a bohemian art scene in the city. but in recent years, you've been doing your work in the middle of the suffolk countryside. has it changed the way you work and what you do? not at all. not at all? not at all. even though the atmosphere around you is so very different? not at all. i still get up at five in the summer and six in the winter and come into the studio and make a drawing and get going. if i stayed in bed, i'd just worry about ever...