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Transcripts For DW Kino - The Movie Magazine 20181001 05:02:00

One point two million venezuelans made in colombia legally and illegally. Why return to the. To visit friends is that i dont think id ever go back there to live you know what i live there again i dont know so im not sure. Bearing witness global news that matters. Made for mines. Hi and welcome to a special edition of kino coming to you today from the city of frankfurt famous of course for its skyline and for being germanys capital of high finance but frankfurt is also home to one of the largest Film Museums In Europe and theyre honoring with an amazing exhibit a cinematic masterpiece. Two thousand and one a Space Odyssey the mother of all Science Fiction films. In One Thousand Nine Hundred Thirty Eight director Stanley Kubrick rewrote The Rules Of Cinema in a way that continues to amaze and inspire. This conversation can serve no purpose anymore today on keno were doing a deep dive into Two Thousand And One were devoting our entire show to Stanley Kubricks saif i class a. Film turns fi

Detailed text transcripts for TV channel - DW - 20190103:21:19:00

a laboratory mission by hand without computer technology. you know when you think it s so models it s wooden glue and straying and nothing shows it s. just a testament to how careful he was and god knows how many of the many. sort of takes they took one of the model shots because obviously the special effects to cover the time. more than one hundred people worked on the special effects unknown. brit spent four years making the film at london s m.g.m. studios going way over his budget and schedule. with his team he created images like none before. so there was a very open kind of art school atmosphere let s see let s try there was no oh we can t do that it s you know that was a red rag to standing say oh we can t do that is or why not why can t you let s try

Detailed text transcripts for TV channel - DW - 20181001:05:05:00

wooden glue and straying and nothing shows it s. just a testament to how careful he was and god knows how many of it how many. sort of takes they took of the model shots because they obviously were special effects to corrupt on. more than one hundred people worked on the special effects alone kubrick spent four years making the film at london s m.g.m. studios going way over his budget and schedule. with his team he created images like none before. so there was a very open kind of art school atmosphere let s see let s try there was no oh we called do that attitude no that was a red rag to standing say oh we can t do that is or why not why can t you let s try

Detailed text transcripts for TV channel - DW - 20180326:04:34:00

it s like none before. so there was a very open kind of art school atmosphere let s see let s try there was no oh we can t do that it s you know that was a red rag to standing said oh we can t do that it s for why not why can t you let s try it so everybody was able to be is a magic is heaven is crazy and like it was there were no wrong answers crick wrote the screenplay with fyfe i legend arthur c. clarke the goal was to create the definitive science fiction film probing the question of extraterrestrial life and artificial intelligence that spirals out of control in the form of the onboard computer held. it in the pod bay doors. i m sorry dave i m afraid i can t do that. the computer becomes the enemy thanks to bad programming the problem how has to be switched off and becomes the true tragic

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