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A lot of his work seems intensely -- it's focusing on individuals. you really get a sense of the people behind the rifles in a way that you don't in a lot of -- a lot of other war photographers are covering like the bang-bang stuff and tim was there in the midst of it, but his pictures are intensely personal. >> you know, we realized when we were out there that the actual combat was pretty repetitive. i mean, guys shooting guns look pretty much the same everywhere. it's falsely -- it's dramatic, but it's only dramatic for a certain amount of time. and then what really is interesting out there ...

Interested in human dignity around the world. that was true in the, you know, the destroyed streets of monrovia in liberia where he lived for years after the war. who covers a war and then lives in that country for a few years just as a resident? and then on the streets of new york. he carried this with him everywhere. it affected his work profoundly and made people want to be around him. >> it's interesting, in "restrepo," in his still photographs, even though he's covering conflict and "restrepo" is a film about the war in afghanistan, it's really a film about people and the bonds that devel...

In that country for a few years just as a resident? and then on the streets of new york. he carried this with him everywhere. it affected his work profoundly and made people want to be around him. >> it's interesting, in "restrepo," in his still photographs, even though he's covering conflict and "restrepo" is a film about the war in afghanistan, it's really a film about people and the bonds that develop between brothers in arms. a lot of his work seems intensely -- it's focusing on individuals. you really get a sense of the people behind the rifles in a way that you don't in a lot of -- a lot...