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How the California landscape ignites Daniel Gumbiner's 'Fire in the Canyon' – San Gabriel Valley Tribune - Vimarsana News

How the California landscape ignites Daniel Gumbiner's 'Fire in the Canyon' – San Gabriel Valley Tribune

'I didn't want it to be naively optimistic. I wanted it to convey the gravity and scale of the problem, but I also think there are opportunities for hope within all of that tension,' says the author, who edits the literary magazine The Believer.

How the California landscape ignites Daniel Gumbiner's 'Fire in the Canyon' – Daily News - Vimarsana News

How the California landscape ignites Daniel Gumbiner's 'Fire in the Canyon' – Daily News

'I didn't want it to be naively optimistic. I wanted it to convey the gravity and scale of the problem, but I also think there are opportunities for hope within all of that tension,' says the author, who edits the literary magazine The Believer.

How the California landscape ignites Daniel Gumbiner's 'Fire in the Canyon' – Press Telegram - Vimarsana News

How the California landscape ignites Daniel Gumbiner's 'Fire in the Canyon' – Press Telegram

'I didn't want it to be naively optimistic. I wanted it to convey the gravity and scale of the problem, but I also think there are opportunities for hope within all of that tension,' says the author, who edits the literary magazine The Believer.

How the California landscape ignites Daniel Gumbiner's 'Fire in the Canyon' – Pasadena Star News - Vimarsana News

How the California landscape ignites Daniel Gumbiner's 'Fire in the Canyon' – Pasadena Star News

'I didn't want it to be naively optimistic. I wanted it to convey the gravity and scale of the problem, but I also think there are opportunities for hope within all of that tension,' says the author, who edits the literary magazine The Believer.

How the California landscape ignites Daniel Gumbiner's 'Fire in the Canyon' – Redlands Daily Facts - Vimarsana News

How the California landscape ignites Daniel Gumbiner's 'Fire in the Canyon' – Redlands Daily Facts

'I didn't want it to be naively optimistic. I wanted it to convey the gravity and scale of the problem, but I also think there are opportunities for hope within all of that tension,' says the author, who edits the literary magazine The Believer.